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Premium Framed Print : "Grey-Croft, " Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913. Creator: Frances Benjamin Johnston. "Grey-Croft, " Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913

'Grey-Croft, ' Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913. Creator: Frances Benjamin Johnston. 'Grey-Croft, ' Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913



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"Grey-Croft, " Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913. Creator: Frances Benjamin Johnston. "Grey-Croft, " Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913

"Grey-Croft, " Stephen Swete Cummins house, Huntting Lane, East Hampton, New York, 1913. House Architecture: Isaac Henry Green Jr. for Lorenzo Guernsey Woodhouse. Landscape: Emma Woodhouse (Mrs. Stephen S.) Cummins. Other: Emma Woodhouse Cummins (1846-1908), after being married to Lorenzo Guernsey Woodhouse, the uncle of Lorenzo E. Woodhouse, married Stephen Swete Cummins in 1906. On the death of his wife, he married the poet and editor of Lyric Magazine, Virginia Kent Cummins

Heritage Images features heritage image collections

Media ID 36253317

© Heritage Art/Heritage Images

Cummins Emma Woodhouse Cummins Stephen Swete Emma Woodhouse Cummins Estate Flowering Green Isaac Henry Greycroft Huntting Lane Isaac Henry Green Isaac Henry Green Jr Landscaped Lantern Slides 1910 1920 Gmgpc Neighbourhood Path Real Estate Stephen Swete Cummins Fb Johnston Frances B Johnston Frances Benjamin Johnston Frances Johnston Johnston Frances Benjamin


14"x16" Premium Frame

Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")

Estimated Product Size is 40.6cm x 35.6cm (16" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Architecture > Country > America

> Arts > Artists > W > Stephen White

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Contemporary art > Photography > Nature-inspired artwork

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

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> Europe > United Kingdom > Scotland > Aberdeenshire > Huntly

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
Grey-Croft," Stephen Swete Cummins' house in Huntting Lane, East Hampton, New York, was captured in this stunning black-and-white photograph taken in 1913 by renowned American photographer Frances Benjamin Johnston. The architectural masterpiece was designed by Isaac Henry Green Jr. for Lorenzo Guernsey Woodhouse, but it was Emma Woodhouse Cummins, the former wife of Lorenzo Guernsey Woodhouse and later wife of Stephen Swete Cummins, who is responsible for the beautiful landscaping of the estate. Emma Woodhouse Cummins, born in 1846, had previously been married to Lorenzo Guernsey Woodhouse, the uncle of Lorenzo E. Woodhouse. In 1906, she married Stephen Swete Cummins. After her first husband's death, she wed the poet and editor of Lyric Magazine, Virginia Kent Cummins. The serene riverbank and flowering plants in the photograph reflect the tranquility and beauty of the estate. The house, located in the picturesque neighborhood of Huntting Lane, is a testament to the rich architectural heritage of East Hampton, New York, in the United States. The path leading to the house and the lantern slides from the 1910s and 1920s further add to the historical significance of this image. The photograph, taken by Frances Benjamin Johnston, showcases the harmony between the house and its natural surroundings, offering a glimpse into the elegance and charm of a bygone era. This photograph, with its timeless appeal, is a valuable addition to any collection of American history, architecture, and landscape photography. It serves as a reminder of the beauty and history that can be found in the countryside and the importance of preserving our heritage for future generations.

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