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Premium Framed Print : The Fall of Simon Magus, c. 1745- 1750. Creator: Pompeo Batoni (Italian, 1708-1787), studio of
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The Fall of Simon Magus, c. 1745- 1750. Creator: Pompeo Batoni (Italian, 1708-1787), studio of
The Fall of Simon Magus, c. 1745- 1750. Saints Peter and Paul came to Rome to win converts to Christianity soon after Christs death, while Simon Magus, claiming to be the son of God, attempted to prove his divinity by flying. Due to Saint Peters prayers, the demons supporting Simon abandoned him and he plummeted to his death.This work is either a study for or a copy of a huge altarpiece commissioned in 1746 for Saint Peters Basilica at the Vatican. Because of the humidity in Saint Peter s, which quickly ruined paintings, the work was to have been translated into a massive mosaic. However, for reasons that remain unclear, Batonis mosaic was never created
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Media ID 19646697
© Heritage Art/Heritage Images
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Fall of Simon Magus" is a captivating print that captures the dramatic moment when Simon Magus, a self-proclaimed son of God, meets his tragic end. Created by Pompeo Batoni in the mid-18th century, this artwork depicts an important event in early Christianity. In the painting, Saints Peter and Paul are shown arriving in Rome to spread the teachings of Christ shortly after his death. Meanwhile, Simon Magus attempts to prove his divinity by flying but is thwarted by Saint Peter's prayers. As a result, the demons supporting him abandon their hold on him, leading to his fatal fall. This particular piece is either a study or copy for an enormous altarpiece commissioned for Saint Peter's Basilica at the Vatican in 1746. However, due to concerns about humidity damaging paintings within the basilica, Batoni's work was intended to be translated into a massive mosaic instead. Unfortunately, for reasons that remain unclear today, this mosaic was never created. The print showcases Batoni's mastery of oil on canvas technique and brings attention to intricate details and vibrant colors used in depicting this pivotal moment from Christian history. Preserved by The Cleveland Museum of Art and made available through Heritage Images' collection curated by Heritage Art/Heritage Images (not affiliated with any commercial use), it allows viewers to appreciate both the artistic skill involved and the historical significance behind "The Fall of Simon Magus.
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