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Metal Print : The Fall of Simon Magus, c. 1745- 1750. Creator: Pompeo Batoni (Italian, 1708-1787), studio of

The Fall of Simon Magus, c. 1745- 1750. Creator: Pompeo Batoni (Italian, 1708-1787), studio of



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The Fall of Simon Magus, c. 1745- 1750. Creator: Pompeo Batoni (Italian, 1708-1787), studio of

The Fall of Simon Magus, c. 1745- 1750. Saints Peter and Paul came to Rome to win converts to Christianity soon after Christs death, while Simon Magus, claiming to be the son of God, attempted to prove his divinity by flying. Due to Saint Peters prayers, the demons supporting Simon abandoned him and he plummeted to his death.This work is either a study for or a copy of a huge altarpiece commissioned in 1746 for Saint Peters Basilica at the Vatican. Because of the humidity in Saint Peter s, which quickly ruined paintings, the work was to have been translated into a massive mosaic. However, for reasons that remain unclear, Batonis mosaic was never created

Heritage Images features heritage image collections

Media ID 19646697

© Heritage Art/Heritage Images

Pompeo Batoni Studio Of


16"x24" (61x41cm) Metal Print

Experience the dramatic narrative of Pompeo Batoni's 'The Fall of Simon Magus' with our Media Storehouse Metal Prints. This stunning 18th-century masterpiece, created in the studio of Pompeo Batoni around 1745-1750, depicts the iconic story of Simon Magus's downfall. As Saints Peter and Paul arrived in Rome to spread the word of Christianity, Simon Magus, claiming to be the son of God, challenged their authority. This captivating artwork brings the tension and drama of this biblical tale to life. Our high-quality Metal Prints are not only visually stunning but also durable, making them a perfect addition to any home or office decor. Embrace the rich history and artistic detail of this masterpiece with Media Storehouse's Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Peters Mouse

> Arts > Artists > B > Pompeo Batoni

> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > United Kingdom > England > Cleveland

> Europe > Vatican City > Paintings


EDITORS COMMENTS
The Fall of Simon Magus" is a captivating print that captures the dramatic moment when Simon Magus, a self-proclaimed son of God, meets his tragic end. Created by Pompeo Batoni in the mid-18th century, this artwork depicts an important event in early Christianity. In the painting, Saints Peter and Paul are shown arriving in Rome to spread the teachings of Christ shortly after his death. Meanwhile, Simon Magus attempts to prove his divinity by flying but is thwarted by Saint Peter's prayers. As a result, the demons supporting him abandon their hold on him, leading to his fatal fall. This particular piece is either a study or copy for an enormous altarpiece commissioned for Saint Peter's Basilica at the Vatican in 1746. However, due to concerns about humidity damaging paintings within the basilica, Batoni's work was intended to be translated into a massive mosaic instead. Unfortunately, for reasons that remain unclear today, this mosaic was never created. The print showcases Batoni's mastery of oil on canvas technique and brings attention to intricate details and vibrant colors used in depicting this pivotal moment from Christian history. Preserved by The Cleveland Museum of Art and made available through Heritage Images' collection curated by Heritage Art/Heritage Images (not affiliated with any commercial use), it allows viewers to appreciate both the artistic skill involved and the historical significance behind "The Fall of Simon Magus.

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