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Premium Framed Print : Edward Underhill the hot gospeller preaching to the giants in the by-ward or Gate Tower, 1840. Artist: George Cruikshank
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Edward Underhill the hot gospeller preaching to the giants in the by-ward or Gate Tower, 1840. Artist: George Cruikshank
Edward Underhill the hot gospeller preaching to the giants in the by-ward or Gate Tower, 1840. A print from The Tower of London a Historical Romance, by William Harrison Ainsworth. (London, 1840)
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Media ID 14944343
© The Print Collector / Heritage-Images
Ainsworth Asleep Bored Boredom Boring Cruikshank George Cruikshank Giant Preaching Sleep Sleeping Tower Of London Tudor William Harrison William Harrison Ainsworth Egg Timer Print Collector8
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print by George Cruikshank, we are transported back to the 16th century within the walls of the Tower of London. The scene depicts Edward Underhill, known as the "hot gospeller" fearlessly preaching to a group of giants in the By-Ward or Gate Tower. Dressed in Tudor-era attire, Underhill stands tall and confident amidst his towering audience. However, their expressions reveal a sense of boredom and disinterest as they listen to his sermon. One giant even appears to have succumbed to sleep, perhaps finding little excitement in Underhill's words. The monochrome engraving beautifully captures both the grandeur of the interior tower setting and the intricate details of each character's costume. The artist's skillful use of shading adds depth and dimension to this historical tableau. This print is taken from William Harrison Ainsworth's novel "The Tower of London: A Historical Romance" published in 1840. It serves as a visual representation that brings Ainsworth's story vividly to life through Cruikshank's artistic interpretation. As we gaze upon this intriguing image, we can't help but imagine ourselves standing alongside these giants, witnessing an unconventional preacher attempting to captivate their attention with his fervent message. It reminds us that even within historic settings like the Tower of London, boredom can still find its way into unexpected places.
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