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Premium Framed Print : THE SECOND LAHORE DURBAR, 1846: contemporary Sikh gouache
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THE SECOND LAHORE DURBAR, 1846: contemporary Sikh gouache
THE SECOND LAHORE DURBAR,
1846: contemporary Sikh gouache
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12414606
1846 Asian British Empire Colonialism Colony Conference Durbar Gouache Westernization Lahore Sikh
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
The Second Lahore Durbar, 1846 - A Glimpse into the Colonial Tapestry of British India
EDITORS COMMENTS
. This print captures a significant moment in history - The Second Lahore Durbar of 1846. Painted with exquisite detail and vibrant colors, this contemporary Sikh gouache transports us back to a time when the British Empire's influence was expanding across the Indian subcontinent. The scene depicts an important conference held in Lahore, where English officials and Sikh leaders came together to negotiate the terms of the Treaty of Lahore. As colonialism loomed large, this gathering symbolized both collaboration and conflict between two worlds. The painting beautifully showcases the fusion of Eastern and Western cultures as dignitaries adorned in traditional Indian attire engage with their British counterparts dressed in formal English suits. Beyond its aesthetic appeal, this artwork serves as a visual testament to the complexities surrounding imperialism and westernization during that era. It invites contemplation on themes such as power dynamics, cultural exchange, and resistance within a colonial context. As we gaze upon this historical gem from Granger Art on Demand titled "The Second Lahore Durbar" we are reminded of how art can transport us through time while shedding light on pivotal moments that have shaped our world today.
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