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Premium Framed Print : Derelict Cottage
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Derelict Cottage
28th May 1955: A derelict cottage in a rural village. Traditional homes have been replaced by modern cottages with more facilities and the old buildings are now used for storage or farm animals. Children on the island of Lewis do not learn English until they go to school because local people speak Gaelic and only read or write English. Original Publication: Picture Post - 7781 - Buts Of Lewis - pub. 1955 (Photo by Malcolm Dunbar/Picture Post/Getty Images)
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Malcolm Dunbar
Media ID 11818248
1950 1959 Abandoned Architecture And Art Cottage Landscape Male Back Rear View Scotland Scotland Black Single Village Walking
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Picture Post, Premier British News
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> Landscapes (modern interpretation)
EDITORS COMMENTS
Capturing the Essence of Time: A Glimpse into Rural Scotland's Evolution". In this print, photographer Malcolm Dunbar takes us on a journey to a rural village in Scotland on the 28th of May, 1955. The focal point is a derelict cottage that stands as a poignant symbol of changing times. Once traditional homes filled with life, these cottages have now been replaced by modern structures boasting enhanced facilities. Left behind are remnants of an era gone by, repurposed for storage or housing farm animals. The photo also sheds light on the unique linguistic landscape of Lewis Island. Here, children do not learn English until they attend school since Gaelic remains the primary language spoken by locals. This cultural peculiarity adds depth to the image as it showcases how isolated communities preserve their heritage amidst societal shifts. Dunbar's composition masterfully captures both architectural and human elements within this single frame. A lone figure walks away from us, his back turned towards the viewer, emphasizing solitude and contemplation against the backdrop of abandoned beauty. This photograph serves as an archival gem that transports viewers back to mid-20th century Scotland—a time when tradition clashed with progress and rural landscapes were transforming at an unprecedented pace. Through Dunbar's lens, we witness history frozen in time—an evocative reminder of our ever-changing world.
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