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Premium Framed Print : Maesta: Judas Receives Thirty Pieces of Silver, 1308-11
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Maesta: Judas Receives Thirty Pieces of Silver, 1308-11
XJL62411 Maesta: Judas Receives Thirty Pieces of Silver, 1308-11 by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; (add.info.: from the back of the Maesta Altarpiece; ); Italian, out of copyright
Media ID 12920735
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16"x16" Premium Frame
Contemporary style Premium Wooden Frame with 10"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 40.6cm x 40.6cm (16" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a pivotal moment in history, as depicted in Duccio di Buoninsegna's "Maesta: Judas Receives Thirty Pieces of Silver". The artwork, created between 1308 and 1311, is part of the Maesta Altarpiece housed at the Museo dell Opera del Duomo in Siena, Italy. In this scene, we witness the infamous betrayal of Jesus Christ by his disciple Judas Iscariot. The composition focuses on Judas as he receives thirty pieces of silver from a high-ranking priest. This exchange symbolizes the ultimate act of treachery and greed that would lead to Jesus' crucifixion. Duccio di Buoninsegna masterfully captures the tension and moral dilemma faced by both characters through his meticulous attention to detail. The expressions on their faces reveal conflicting emotions - guilt mixed with anticipation for Judas and smug satisfaction for the priest. As viewers contemplate this image, they are reminded of the timeless themes present within religious narratives: trust versus betrayal, loyalty versus personal gain. It serves as a poignant reminder that even those closest to us can succumb to temptation or be swayed by external forces. This print invites us into a profound reflection on human nature and our capacity for both good and evil. It stands as a testament to Duccio's artistic prowess in capturing complex emotions within a single frame.
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