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Pillow : Maesta: Judas Receives Thirty Pieces of Silver, 1308-11
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Maesta: Judas Receives Thirty Pieces of Silver, 1308-11
XJL62411 Maesta: Judas Receives Thirty Pieces of Silver, 1308-11 by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; (add.info.: from the back of the Maesta Altarpiece; ); Italian, out of copyright
Media ID 12920735
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18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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EDITORS COMMENTS
This print captures a pivotal moment in history, as depicted in Duccio di Buoninsegna's "Maesta: Judas Receives Thirty Pieces of Silver". The artwork, created between 1308 and 1311, is part of the Maesta Altarpiece housed at the Museo dell Opera del Duomo in Siena, Italy. In this scene, we witness the infamous betrayal of Jesus Christ by his disciple Judas Iscariot. The composition focuses on Judas as he receives thirty pieces of silver from a high-ranking priest. This exchange symbolizes the ultimate act of treachery and greed that would lead to Jesus' crucifixion. Duccio di Buoninsegna masterfully captures the tension and moral dilemma faced by both characters through his meticulous attention to detail. The expressions on their faces reveal conflicting emotions - guilt mixed with anticipation for Judas and smug satisfaction for the priest. As viewers contemplate this image, they are reminded of the timeless themes present within religious narratives: trust versus betrayal, loyalty versus personal gain. It serves as a poignant reminder that even those closest to us can succumb to temptation or be swayed by external forces. This print invites us into a profound reflection on human nature and our capacity for both good and evil. It stands as a testament to Duccio's artistic prowess in capturing complex emotions within a single frame.
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