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Premium Framed Print : View of the village of Waterloo, the day after the battle, 19 June 1815, after A. M. S
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View of the village of Waterloo, the day after the battle, 19 June 1815, after A. M. S
1268350 View of the village of Waterloo, the day after the battle, 19 June 1815, after A.M.S. published by James Jenkins, 1 February 1816 (colour aquatint) by Sutherland, Thomas (1785-1838); National Army Museum, London; (add.info.: Number 4 in a set of four coloured aquatints associated with the Battle of Waterloo, 1815.); eNational Army Museum; English, out of copyright
Media ID 22849854
© National Army Museum / Bridgeman Images
Aftermath Armies Battle Of Waterloo Battlefields Battles Napoleonic Wars Thomas Sutherland Villages Wars James Jenkins
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the haunting aftermath of the historic Battle of Waterloo, which took place on 18 June 1815. The image showcases a view of the village of Waterloo on the day after the battle, revealing a scene that is both poignant and somber. The artist, Thomas Sutherland, skillfully depicts the devastation left in the wake of this momentous conflict. The once peaceful village now lies in ruins, its buildings damaged and destroyed by cannon fire and warfare. A sense of desolation hangs heavy in the air as smoke still lingers from smoldering remnants. In stark contrast to this destruction stands a solitary church, seemingly untouched by chaos. Its presence serves as a symbol of hope amidst despair - an enduring testament to resilience and faith even in times of great turmoil. The print offers viewers a glimpse into history, allowing us to reflect upon the immense sacrifices made by soldiers who fought bravely on these very grounds. It serves as a reminder of both the horrors and heroism that unfolded during one of Europe's most significant battles. Published by James Jenkins in February 1816, this colour aquatint holds historical significance beyond its artistic beauty. As part four in a set associated with Waterloo, it immortalizes an important chapter in military history for generations to come. Displayed at London's National Army Museum today, this engraving continues to evoke emotions and provoke contemplation about war's impact on communities caught up in its destructive path.
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