Premium Framed Print : Rev Charles John Vaughan (colour litho)

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Rev Charles John Vaughan (colour litho)

611717 Rev Charles John Vaughan (colour litho) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: Rev Charles John Vaughan, Nolo episcopari, 24 August 1872, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 23544802

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Loye Charles Auguste 1841 1905 Montbard G Montbard George Vanity Fair

14"x18" Premium Frame

Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")

Estimated Product Size is 35.6cm x 45.8cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > John Jackson

> Arts > Pop art > Satire > Satirical artwork

EDITORS COMMENTS
This vibrant and captivating print showcases the satirical cartoon of Rev Charles John Vaughan, created by the talented artist Charles Auguste Loye. The caricature was originally featured in Vanity Fair on 24th August 1872, as part of their scathing satire series. In this humorous depiction, Rev Charles John Vaughan is portrayed with a sense of wit and irony. His refusal to be appointed as a bishop (Nolo episcopari) becomes the central theme of this artwork. Loye's skillful use of color lithography brings out every detail in this satirical drawing, making it an eye-catching piece that demands attention. The artist's ability to capture both the essence and personality of Rev Charles John Vaughan shines through in this illustration. With his exaggerated features and comical expression, it is clear that Loye intended to create a light-hearted yet thought-provoking image. As we delve into this historical snapshot from Vanity Fair, we are transported back to a time when political cartoons held immense power in shaping public opinion. This particular artwork serves as a testament to the enduring impact of satire throughout history. Preserved within a private collection today, this remarkable piece allows us to appreciate not only Loye's artistic talent but also provides insight into the cultural climate of late 19th-century Europe. It stands as an important reminder that art has always been intertwined with politics and society at large.

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