Metal Print : Rev Charles John Vaughan (colour litho)

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Rev Charles John Vaughan (colour litho)

611717 Rev Charles John Vaughan (colour litho) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: Rev Charles John Vaughan, Nolo episcopari, 24 August 1872, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 23544802

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Loye Charles Auguste 1841 1905 Montbard G Montbard George Vanity Fair

16"x24" (61x41cm) Metal Print

Bring timeless elegance to your home or office with our Media Storehouse Metal Print featuring the captivating image of Rev. Charles John Vaughan by Charles Auguste Loye (Montbard). This beautifully detailed, color lithograph depicts the reverend in his ceremonial attire, captured in the "Nolo episcopari" moment during his consecration as Bishop on August 24, 1872. Our high-quality metal prints are known for their vibrant colors, rich textures, and long-lasting durability. Each print is meticulously printed on a sheet of aluminum, resulting in a stunning, modern presentation that adds depth and dimension to any space. Elevate your decor and relive the history with this exquisite piece from Fine Art Finder by Bridgeman Images.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > John Jackson

> Arts > Pop art > Satire > Satirical artwork

EDITORS COMMENTS
This vibrant and captivating print showcases the satirical cartoon of Rev Charles John Vaughan, created by the talented artist Charles Auguste Loye. The caricature was originally featured in Vanity Fair on 24th August 1872, as part of their scathing satire series. In this humorous depiction, Rev Charles John Vaughan is portrayed with a sense of wit and irony. His refusal to be appointed as a bishop (Nolo episcopari) becomes the central theme of this artwork. Loye's skillful use of color lithography brings out every detail in this satirical drawing, making it an eye-catching piece that demands attention. The artist's ability to capture both the essence and personality of Rev Charles John Vaughan shines through in this illustration. With his exaggerated features and comical expression, it is clear that Loye intended to create a light-hearted yet thought-provoking image. As we delve into this historical snapshot from Vanity Fair, we are transported back to a time when political cartoons held immense power in shaping public opinion. This particular artwork serves as a testament to the enduring impact of satire throughout history. Preserved within a private collection today, this remarkable piece allows us to appreciate not only Loye's artistic talent but also provides insight into the cultural climate of late 19th-century Europe. It stands as an important reminder that art has always been intertwined with politics and society at large.

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