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Premium Framed Print : The Last of England, 1852-55 (oil on panel)
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The Last of England, 1852-55 (oil on panel)
BIR3819 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); 82.5x75 cm; Birmingham Museums and Art Gallery; English, out of copyright
Media ID 23347122
© Bridgeman Images
Dover Emigrant Emigration Leaving Self Portrait White Cliffs Pre Raphaelite
16"x16" Premium Frame
Contemporary style Premium Wooden Frame with 10"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 40.6cm x 40.6cm (16" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Last of England
EDITORS COMMENTS
is a captivating oil painting by Ford Madox Brown that captures the emotions and hardships associated with emigration during the Victorian era. The painting depicts a somber scene of a couple, presumably husband and wife, standing on the deck of a ship as it sails away from Dover's white cliffs. The cold and desolate atmosphere adds to the sense of melancholy portrayed in this pre-Raphaelite masterpiece. The oval-shaped composition draws attention to the central figures, who are believed to be self-portraits of Brown himself and his wife Emma Madox Brown. Their expressions reflect both resignation and determination as they leave their homeland behind for an uncertain future abroad. Brown's meticulous attention to detail is evident in every brushstroke, capturing even the smallest nuances such as wind-blown hair strands or wrinkles on their faces. This level of realism enhances the emotional impact of the painting, allowing viewers to empathize with these brave souls embarking on their journey into the unknown. "The Last of England" serves as a poignant reminder of the sacrifices made by countless individuals during this period in history. It stands not only as a testament to Brown's artistic skill but also as an enduring symbol of hope amidst adversity.
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