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The Last of England, 1852-55 (oil on panel)
BIR3819 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); 82.5x75 cm; Birmingham Museums and Art Gallery; English, out of copyright
Media ID 23347122
© Bridgeman Images
Dover Emigrant Emigration Leaving Self Portrait White Cliffs Pre Raphaelite
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Last of England
EDITORS COMMENTS
is a captivating oil painting by Ford Madox Brown that captures the emotions and hardships associated with emigration during the Victorian era. The painting depicts a somber scene of a couple, presumably husband and wife, standing on the deck of a ship as it sails away from Dover's white cliffs. The cold and desolate atmosphere adds to the sense of melancholy portrayed in this pre-Raphaelite masterpiece. The oval-shaped composition draws attention to the central figures, who are believed to be self-portraits of Brown himself and his wife Emma Madox Brown. Their expressions reflect both resignation and determination as they leave their homeland behind for an uncertain future abroad. Brown's meticulous attention to detail is evident in every brushstroke, capturing even the smallest nuances such as wind-blown hair strands or wrinkles on their faces. This level of realism enhances the emotional impact of the painting, allowing viewers to empathize with these brave souls embarking on their journey into the unknown. "The Last of England" serves as a poignant reminder of the sacrifices made by countless individuals during this period in history. It stands not only as a testament to Brown's artistic skill but also as an enduring symbol of hope amidst adversity.
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