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Premium Framed Print : The Miner, 1925 (oil on canvas)
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The Miner, 1925 (oil on canvas)
1765997 The Miner, 1925 (oil on canvas) by Luks, George Benjamin (1867-1933); 153.1x128 cm; National Gallery of Art, Washington DC, USA; American, out of copyright
Media ID 25164662
© Bridgeman Images
Ashcan School Boots Coal Mining Dusty Flask Miner Mining Pennsylvania Realism Realist Staring Tired Davy Lamp Laborer Pottsville
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Miner, 1925
EDITORS COMMENTS
is a captivating oil painting by George Benjamin Luks that depicts the gritty reality of a coal miner's life in early 20th century America. In this powerful artwork, we see a tired and weathered man sitting on a wooden stool, his worn-out boots resting on the dusty ground. The miner stares into the distance with an expression of weariness and contemplation etched across his face. Luks' realistic style brings to life every detail of this laborer's existence. From the davy lamp hanging from his belt to the pipe clenched between his teeth, each element tells a story of hard work and perseverance. The artist skillfully captures both the physical exhaustion and mental strain endured by those working in Pennsylvania's coal mines. As we observe this full-length portrait, we cannot help but feel drawn into the miner's world. His seated position suggests a momentary respite from backbreaking labor, while also emphasizing his vulnerability within such hazardous conditions. The flask at his side serves as a reminder of how these men sought solace amidst their grueling daily routines. Luks' portrayal is part of the Ashcan School movement which aimed to capture scenes from everyday urban life with unflinching realism. "The Miner" stands as an enduring testament to not only one man's struggle but also represents countless others who dedicated their lives to fueling industrial progress. This print allows us to appreciate Luks' masterful brushwork and invites us to reflect upon
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