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Premium Framed Print : The Tree from which Adam ate the Apple, facsimilie from a book of meditation
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The Tree from which Adam ate the Apple, facsimilie from a book of meditation
1772332 The Tree from which Adam ate the Apple, facsimilie from a book of meditation, the first book printed at Albi, Languedoc, in 1481, 1903 (litho) by French School, (15th century) (after); Private Collection; (add.info.: From The Connoisseur Illustrated published 1903.); Photo eHilary Morgan; French, out of copyright
Media ID 23103488
© Hilary Morgan / Bridgeman Images
Adam Apple Creation Eden Facsimile Fall Garden Of Eden Genesis Languedoc Original Publishing Temptation Albi Dine Northern Renaissance
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Tree from which Adam ate the Apple - A Glimpse into Biblical Temptation
EDITORS COMMENTS
. This print captures a facsimile of an extraordinary artwork, originating from a book of meditation printed in 1481 at Albi, Languedoc. The image takes us back to the Garden of Eden, where the story of humanity's fall from grace began. In this scene, we witness Eve standing beside the infamous tree that bore the forbidden fruit. Her presence is both alluring and contemplative as she contemplates her fateful decision. Adam stands nearby, his expression reflecting curiosity mixed with trepidation. The artist skillfully depicts lush greenery surrounding them, symbolizing paradise before sin entered their lives. This medieval masterpiece showcases elements reminiscent of Northern Renaissance artistry and biblical storytelling. The apple itself becomes a potent symbol representing temptation and mankind's inherent struggle between obedience and desire. Its vibrant red hue contrasts against Eve's nakedness – a visual metaphor for vulnerability and innocence lost. As we gaze upon this remarkable print, we are transported to a pivotal moment in religious history when human nature succumbed to temptation. It serves as a reminder that even within our own lives today, choices can lead us down unforeseen paths. This photograph not only offers aesthetic pleasure but also invites deep reflection on themes such as creation, sin, faithfulness, and redemption found within Christian teachings. It stands as an enduring testament to the power of art to evoke emotion and provoke thought across centuries.
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