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Premium Framed Print : Evisceration of a Roebuck with a Portrait of a Married Couple, c. 1625 (oil on cradled wood panel)
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Evisceration of a Roebuck with a Portrait of a Married Couple, c. 1625 (oil on cradled wood panel)
996229 Evisceration of a Roebuck with a Portrait of a Married Couple, c.1625 (oil on cradled wood panel) by Snyders or Snijders, Frans (1579-1657); 124.5x177.8 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario; Gift from the John Paris Bickell Bequest Fund, 1952
Media ID 22248318
© Art Gallery of Ontario Gift from the John Paris Bickell Bequest Fund, 1952 / Bridgeman Images
Bake Baking Bowels Cookery Cratsmanship Deer Gastronomer Gastronomy Handywork Hunted Kitchen Meat Preparation Preparing Roebuck Bowel Craftsmen Craftswoman Disembowelment
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the intense and intricate process of eviscerating a roebuck, juxtaposed with a portrait of a married couple. Painted by Frans Snyders or Snijders in 1625, this oil on cradled wood panel measures 124.5x177.8 cm and is housed at the Art Gallery of Ontario in Toronto, Canada. In this artwork, we witness the skillful craftsmanship of both the male and female figures as they prepare to disembowel the deer. The kitchen setting adds an element of domesticity to an otherwise gruesome scene, highlighting the intersection between food preparation and hunting. The artist's attention to detail is evident in every stroke, showcasing his mastery over depicting wildlife animals. Multiple animals are present in this composition, emphasizing man's role as both hunter and provider within nature's ecosystem. As we observe this image closely, it becomes clear that there is more than meets the eye. Beyond its gastronomic implications lies a deeper exploration of human existence - our relationship with nature and our ability to sustain ourselves through various means. Gifted from the John Paris Bickell Bequest Fund in 1952, this artwork continues to captivate viewers with its unique blend of artistry and subject matter. Bridgeman Images has done justice to preserving this piece for future generations to appreciate its historical significance and artistic brilliance.
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