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Premium Framed Print : EyeUbiquitous_20096294
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Framed Photos From EyeUbiquitous
EyeUbiquitous_20096294
IRELAND, North, Belfast, West, Falls Road, Peace Line barrier between the Catholic Lower Falls and Protestant Shankill areas
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20047846
© Stephen Rafferty / Eye Ubiquitous
Conflict Defence Division Fence Politics Protection Social Issues Wall Barricade
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> EyeUbiquitous
> Architecture
> Architecture
> Country
> Ireland
> Europe
> United Kingdom
> Northern Ireland
> Belfast
EDITORS COMMENTS
This print by Stephen Rafferty captures the essence of a divided Belfast, where politics and social issues have shaped its architecture and urban landscape. The image showcases the imposing Peace Line barrier that separates the Catholic Lower Falls from the Protestant Shankill areas on Falls Road. This powerful symbol of defense, protection, segregation, conflict, division, barricade, wall, and fence stands tall as a reminder of a troubled past. The photograph encapsulates the complex history and deep-rooted tensions that once plagued this city. It serves as a poignant representation of how physical barriers can reflect societal divisions. The stark contrast between these two communities is palpable in this image; it evokes contemplation about the consequences of such divisions on local residents' daily lives. Rafferty's lens skillfully captures not only an architectural structure but also emotions etched into every brick and wire mesh. Through his artistry, he invites viewers to question why such barriers still exist in our modern world and challenges us to envision a future where unity triumphs over division. This thought-provoking print transcends mere documentation; it becomes a catalyst for dialogue surrounding political conflicts worldwide. It reminds us that while walls may provide temporary solutions or perceived safety measures during times of turmoil, they ultimately hinder progress towards lasting peace and understanding among diverse communities. Stephen Rafferty's work exemplifies photography's ability to shed light on pressing social issues without commercial intent—instead serving as an instrument for reflection and change-making through visual storytelling.
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