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Premium Framed Print : The Gray and the Colors
Framed Photos From 1x Innovations
The Gray and the Colors
Guillaume Legraverend
Media ID 36496554
Concrete Defense France Grid La Defense Paris Moretti
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Gray and the Colors," a captivating photograph by Guillaume Legraverend, invites viewers to explore the dynamic interplay of color and form in the urban landscape of La Défense, Paris. This abstract image, part of the Moretti series, showcases the iconic concrete buildings of Europe's largest business district, transforming them into a vibrant and intriguing composition. The photograph's title alludes to the contrasting elements at play: the monochromatic gray of the buildings' concrete facades and the bursts of color from the surrounding environment. Legraverend masterfully employs a grid-like composition, with the buildings' linear forms creating a sense of order and structure, while the colors add a playful and abstract element. The Moretti Chimney, a distinctive feature of the La Défense skyline, stands tall and proud, its red and white stripes a stark contrast to the surrounding gray. The colors of the sky and the reflections in the glass windows of the buildings add an additional layer of depth and complexity to the image. The photograph's title, "The Gray and the Colors," suggests a defense or protection of the monochromatic buildings from the encroaching colors of the world. However, upon closer inspection, it becomes clear that the colors are not a threat, but rather an essential component of the urban landscape, adding life and energy to the concrete structures. Legraverend's photograph is a testament to the beauty and complexity of the urban environment, inviting viewers to see the world in a new and abstract way. Through his use of color and form, he challenges us to look beyond the surface of things and to appreciate the underlying patterns and structures that define our world.
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