Poster Print : 1662 Schott deformities real and imagined
Poster Prints From Science Photo Library
1662 Schott deformities real and imagined
I " Long eared man", II " Boy without a mouth" III " human with an arm/tube mouth", IV " One eyed man", V " Man with no head", VI " Man with reversed feet". Copperplate from Gaspar Schotts Physica Curiosa, sive mirabilia naturae. Gaspar Schott was a Jesuit scholar (1608-1666). He worked with Athanasius Kircher in Rome before returning to Germany in 1655 where he was appointed professor of Mathematics at Augsburg. This work may have been inspired by unfinished elements of Kirchers work and draws together a remarkable array of the real and the imagined
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318671
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
17th Century Curiosity Cyclops Deformity Disability Ears Fantastic Fantasy Kircher Limb Monster Mouth Mutation Myth Teratology Cephalus Freak Monstrosity
18x24 inch Poster Print
Discover the fascinating world of human anomalies with Media Storehouse's collection of poster prints featuring the captivating series "1662 Schott Deformities Real and Imagined" by Paul D. Stewart from Science Photo Library. This collection includes five intriguing images that showcase rare and unusual conditions, such as a man with an extraordinarily long ear (I), a boy without a mouth (II), a human with an arm/tube mouth (III), a one-eyed man (IV), and a man without a head (V). These high-quality poster prints are perfect for educational settings, medical offices, or as unique decor for any space that appreciates the wonders of the human body. Explore the unexpected and broaden your horizons with Media Storehouse's Poster Prints of the "1662 Schott Deformities Real and Imagined" series.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the intriguing world of deformities, both real and imagined, as depicted in a 17th-century copperplate from Gaspar Schott's Physica Curiosa. The artwork presents a series of astonishing figures that blur the lines between reality and fantasy. In this collection, we encounter an array of peculiar individuals who defy conventional human anatomy. From the "Long eared man" to the "Boy without a mouth" each portrait unveils a unique aberration that sparks curiosity and wonder. A "human with an arm/tube mouth" challenges our understanding of facial features, while a "One-eyed man" captivates with his singular vision. Perhaps most perplexing is the presence of a "Man with no head" defying all expectations. Gaspar Schott, renowned Jesuit scholar and collaborator of Athanasius Kircher in Rome, meticulously crafted these illustrations before returning to Germany as professor of Mathematics at Augsburg. Drawing inspiration from Kircher's unfinished work, Schott masterfully combines elements both real and imagined within this extraordinary piece. As we delve into this artwork filled with disability, mythological creatures, and fantastical beings, it becomes evident that Schott aimed to explore not only physical abnormalities but also society's fascination with monstrosity. This thought-provoking composition invites us to reflect on our perceptions of normalcy while marveling at the boundless creativity displayed by artists throughout history. Paul D. Stewart expertly captures this enigmatic print through
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