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Poster Print : A village on the river Prah during the 2nd Ashanti War

A village on the river Prah during the 2nd Ashanti War




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A village on the river Prah during the 2nd Ashanti War

On their march towards the Ashanti capital of Kumasi, British soldiers watch the peaceful scene of women catching fish and tritons in the river Prah. The British crossed this river in their fight against the King of the Ashanti. In 1873, after decades of an uneasy relationship between the British and the Acing people of central Ghana, the British attacked and virtually destroyed the Asanti capital of Kumasi, and officially declared Ghana a crown colony on 24 July 1874

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Media ID 4398623

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221744

1873 1874 Acing Asanti Ashanti Attacked Capital Catching Colony Crossed Decades Declared Destroyed Fight Ghana Kumasi Officially Peaceful Prah Relationship Tritons Uneasy Virtually Watch


18x24 inch Poster Print

Discover the rich history of the 2nd Ashanti War with our stunning poster prints from Media Storehouse, featuring the captivating image "A village on the river Prah" by Rights Managed from Mary Evans Prints Online. This evocative scene transports you back in time as British soldiers pause in their march towards the Ashanti capital of Kumasi, observing the tranquil daily life of local women as they catch fish and tritons in the gentle waters of the river Prah. Add this beautiful and historically significant poster print to your collection and bring a piece of the past into your home or office.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This evocative image captures a moment of tranquility amidst the turbulent backdrop of the 2nd Ashanti War. The serene scene on the banks of the River Prah in central Ghana shows women skillfully catching fish and tritons, oblivious to the impending conflict that would soon disrupt their daily lives. In the distance, British soldiers watch over the peaceful scene, their gaze fixed on the river as they prepare to cross it in their march towards the Ashanti capital of Kumasi. The year was 1873, and the relationship between the British and the people of Ashanti had grown increasingly uneasy. Tensions had been simmering for decades, and after years of diplomatic efforts to maintain the peace, the British ultimately decided to take military action. In July of that year, they attacked and virtually destroyed the Ashanti capital, officially declaring Ghana a crown colony on the 24th of that month in 1874. The soldiers in this photograph were among the thousands who crossed the River Prah during the campaign to capture Kumasi. The river, which had once served as a vital trade route between the Ashanti people and their neighbors, now became a strategic military obstacle. The British soldiers' crossing of the river marked a significant turning point in the conflict, bringing them closer to their ultimate goal of conquering the Ashanti kingdom. This historical photograph offers a poignant reminder of the complex and often tumultuous relationship between the British and the Ashanti people during this period in Ghanaian history. The peaceful scene of women fishing in the river is a stark contrast to the violence and destruction that would soon follow, making it all the more poignant and thought-provoking.

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