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Poster Print : Rearming Venus
Poster Prints From Mary Evans Picture Library
Rearming Venus
What did the Venus de Milo, now standing in the Louvre, Paris, look like before she lost her arms ? These are some of the suggestions... Date: 1896
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14295037
© Mary Evans Picture Library
1896 Lost Louvre Milo Specific Suggestions Venus
20x30 inch Poster Print
Discover the intriguing history behind the iconic Venus de Milo statue with our Media Storehouse Rearming Venus Poster Prints. This captivating image from Mary Evans Prints Online, dated 1896, offers a tantalizing glimpse into the past, depicting what is believed to be the original form of the Venus de Milo before she lost her arms. Add this thought-provoking poster to your home or office decor, sparking conversations and igniting the imagination. Bring history to life with our high-quality poster prints.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Rearming Venus: Unraveling the Mysteries of the Iconic Statue Before Her Arms Were Lost (1896) The enigmatic Venus de Milo, currently gracing the halls of the Louvre Museum in Paris, has long captivated the world with her serene beauty and mysterious origins. However, what did this ancient Greek masterpiece look like before she lost her arms over 2,000 years ago? This question has intrigued scholars, artists, and enthusiasts alike, leading to numerous theories and suggestions throughout history. One of the earliest and most compelling theories was proposed by French sculptor and archaeologist, Jean-Bodmer Schoenau, in 1896. Schoenau believed that the Venus de Milo was originally an armed goddess, possibly Aphrodite Areia, the goddess of war and victory. He suggested that her missing arms were intended to represent the goddess holding a shield and a spear, symbols of her warrior status. Schoenau's theory was based on several ancient Greek sculptures that depicted armed goddesses, as well as the presence of small holes on the statue's back, which could have been used to attach the arms. This theory gained widespread acceptance, and Schoenau's vision of a warrior Venus was brought to life through various artistic renderings and replicas. Despite the compelling evidence, other scholars have challenged Schoenau's theory, suggesting alternative explanations for the statue's missing arms. Regardless, the enigma of the Venus de Milo continues to captivate and inspire, leaving us to ponder the true identity and history of this iconic work of art.
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