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Poster Print : Gozzoli, Benozzo di Lese, called Benozzo (1420-1497)
Poster Prints From Mary Evans Picture Library
Gozzoli, Benozzo di Lese, called Benozzo (1420-1497)
Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). Procession of the Youngest King. 1459-1460. ITALY. Florence. Medici Riccardi Palace. The Magi with Lorenzo the Magnificent and his retinue. Renaissance art. Quattrocento. Fresco
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Media ID 8270239
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686432
Called Day Light Florence Fresco Lorenzo Magi Magnificent Medici Procession Quattrocento Renaissance Retinue Youngest Benozzo Gozzoli Lese
18x24 inch Poster Print
Introducing the stunning addition to our Media Storehouse range of Poster Prints – a captivating masterpiece by Benozzo Gozzoli, titled "Procession of the Youngest King." This exquisite artwork, hailing from the Medici Riccardi Palace in Florence, Italy, is a true testament to the artistic brilliance of the Renaissance period. Benozzo Gozzoli, an Italian painter born in 1420, masterfully depicted the scene of the Magi presenting gifts to the infant Jesus, with the young Lorenzo de' Medici and his retinue in attendance. This breathtaking piece, dated between 1459 and 1460, is now available as a high-quality poster print. Bring the beauty and rich history of the Renaissance into your home or office with this magnificent poster print. Each print is produced using premium materials to ensure vibrant colors and sharp details, allowing you to fully appreciate the intricate details and masterful brushwork of Benozzo Gozzoli. Order now and experience the timeless allure of this iconic artwork – a perfect addition to any art collection or decor.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Arts
> Art Movements
> Renaissance Art
> Europe
> Italy
> Tuscany
> Florence
> Historic
> Renaissance art
> Italian Renaissance art
EDITORS COMMENTS
This stunning fresco, titled "Procession of the Youngest King," is a masterpiece by the Florentine artist Benozzo Gozzoli, also known as Benozzo di Lese (1420-1497). Painted between 1459 and 1460, this artwork is located in the Medici Riccardi Palace in Florence, Italy. The scene depicts the Magi, or wise men, on their way to pay homage to the infant Jesus, accompanied by Lorenzo de' Medici and his retinue. Lorenzo de' Medici, who was born in 1449, is famously known as Lorenzo the Magnificent due to his exceptional patronage of the arts and his political acumen. The artist has captured the grandeur and opulence of the Medici court in this vibrant and intricately detailed fresco. The procession takes place outdoors, with the warm, golden light of day illuminating the scene and casting long shadows on the cobblestone streets. The fresco is a prime example of the Quattrocento period in Italian art, characterized by its focus on realism, perspective, and naturalism. The rich colors and dynamic compositions of this era are on full display in "Procession of the Youngest King," as the artist skillfully captures the individual expressions and movements of each figure. The fresco's horizontal format invites the viewer to immerse themselves in the scene, taking in the intricate details of the clothing, the horses and their trappings, and the various symbols and emblems that adorn the procession. The overall effect is one of wonder and awe, as the viewer is transported back to the bustling streets of Renaissance Florence and the courts of the powerful Medici family.
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