Quattrocento Collection

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). Procession of the Youngest King. 1459-1460. ITALY. Florence. Medici Riccardi Palace. The Magi with Lorenzo the Magnificent and his retinue

Antonello da Messina. Virgin Annunciate. ca. 1476. The Virgin reading with a bookrest. Renaissance art. Quattrocento. Oil on wood. ITALY. Palermo. Fine Arts Museum

ANGELICO, Fra. The Annunciation Altarpiece
ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Left lower detail of the predella, depicting the wedding between Virgin Mary and Saint Joseph. Renaissance art. Quattrocento. Tempera on wood

Birth of Venus. Alessandro (Sandro) Botticelli
BOTTICELLI, Alessandro di Mariano dei Filipepi, also called Sandro (1445-1510). The Birth of Venus. ca. 1485. Renaissance art. Quattrocento. Oil on wood

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

The Virgin and Child Jesus with the young Saint John the Baptist child Painting by
JLJ4653745 The Virgin and Child Jesus with the young Saint John the Baptist child Painting by Alessandro di Mariano dei Filipepi dit Sandro Botticelli (1445-1510). 15th century Sun

ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Renaissance art. Quattrocento. Tempera on wood. ITALY. San Giovanni Valdarno. Museum of the Basilica de Santa Maria de la Gracia. Proc: MONACO

MANTEGNA, Andrea (1431-1506). The Lamentation over the Dead Christ. ca. 1490. Renaissance art. Quattrocento. Tempera. ITALY. Milan. Pinacotheca of Brera

ANGELICO, Fra (1387-1455). The Virgin and Child with SS Dominic and Thomas Aquinas. 1424-1430. Renaissance art. Quattrocento. Fresco. RUSSIA. Saint Petersburg. State Hermitage Museum. Proc: ITALY

The Temptation of Adam and Eve Fresco by Tommaso di Cristofano Fini dit Masolino da
LRI4661130 The Temptation of Adam and Eve Fresco by Tommaso di Cristofano Fini dit Masolino da Panicale (1383-1440) 1424-1425 Sun

Dome. Florence Cathedral. Italy
Dome by the Florence Cathedral. 15th century. Built by Filippo Brunelleschi (1377-1446). Exterior. Italy

POLLAIOLO, Antonio Benci, called Antonio del (1431-1498). Portrait of a Young Woman. ca. 1465. Renaissance art. Quattrocento. Oil on wood. GERMANY. Berlin. Staatliche Museen (State Museums)

The visitation, 1445 (Terracotta sculpture)
LRI4594209 The visitation, 1445 (Terracotta sculpture) by Della Robbia, Luca (1400-82); Chiesa di San Giovanni Fuorcivitas, Pistoia, Tuscany

L Immaculee Conception - The Immaculate Conception, by Pinturicchio, Bernardino
FIA5408853 L Immaculee Conception - The Immaculate Conception, by Pinturicchio, Bernardino, School of. Oil on wood. Dimension : 33, 5x21 cm

DE PREDIS, Cristoforo (1440-1486). Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World. 1476

Pythagoras and Euclid, 1437 (marble tile)
7260238 Pythagoras and Euclid, 1437 (marble tile) by Della Robbia, Luca (1400-82); 83x69 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Saint Jerome and the Lion Bronze sculpture by Bartolomeo Bellano (1434-1496) 1490 Paris
JLJ4685860 Saint Jerome and the Lion Bronze sculpture by Bartolomeo Bellano (1434-1496) 1490 Paris, Louvre Museum by Bellano, Bartolomeo (Vellano da Padova) (1434-1496); Louvre, Paris

Portrait of the artist with a friend. Raffaello Sanzio dit Raphael (1483-1520)
JLJ4689286 Portrait of the artist with a friend. Raffaello Sanzio dit Raphael (1483-1520), 15th century. Oil on canvas. Dim: 0, 99 x 0, 83m

St Paul - tempera on panel, 1426
LRI4579365 St Paul - tempera on panel, 1426 by Masaccio, Tommaso (1401-28); Museo Nazionale di San Matteo, Pisa, Tuscany

Andrea Mantegna (1431-1506). Italian Painter. The Crucifixio
Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari?s

Codex Capodilista, 1442. Falconer
CAPODILISTA, Giovanni Francesco (15th c. - 15th c.). Capodilista Codex. 1434. Carlotus Capodilista de Transelgardi, nobleman of the lineage Capodilista, dressed in a falconers costume

ITALY. Issogne. Issogne Castle. Pharmacy (15th

Madonna of Pomegranate, 1408, by Jacopo della Quercia (1371-1438), marble statue
DGA501793 Madonna of Pomegranate, 1408, by Jacopo della Quercia (1371-1438), marble statue; Museo della Cattedrale, Ferrara, Italy; (add.info.: Madonna of the Pomegranate, 1408)

Madonna of the Pillar, 1450-1460 (tempera and gold panel)
GRL9036324 Madonna of the Pillar, 1450-1460 (tempera and gold panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); Montepulciano Cathedral, Italy; (add.info.: Montepulciano)

Triptych of the Assumption, 1401 (oil on panel)
GRL9036321 Triptych of the Assumption, 1401 (oil on panel) by Bartolo, Taddeo di (1362/63-1422); Montepulciano Cathedral, Italy; (add.info.: Montepulciano, Duomo (Cathedral of S)

Death of Adam (detail), 1462-1466 (fresco)
GRL9019683 Death of Adam (detail), 1462-1466 (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany, Italy; (add.info.: "Death of Adam)

Madonna and Child, 1420-22 (polychrome terracotta)
GRL9019671 Madonna and Child, 1420-22 (polychrome terracotta) by Della Robbia, Luca (1400-82); Museo e Galleria Mozzi Bardini, Florence, Tuscany

The frescoes in the chapel of the Annonciade, circa 1470 (fresco)
JPP9020927 The frescoes in the chapel of the Annonciade, circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco)
JPP9020906 The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco)
JPP9020890 The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

Altarpiece of the liniers
BAT5468201 Altarpiece of the liniers; (add.info.: Predella of the martyr of Saint Marco); Photo © Nicolò Orsi Battaglini

The frescoes in the chapel of the Annonciade, circa 1470 (fresco)
JPP9020931 The frescoes in the chapel of the Annonciade, circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco)
JPP9020891 The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

The Annunciation, chapelle de l'Annonciade, c. 1470 (fresco)
JPP9020880 The Annunciation, chapelle de l'Annonciade, c. 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

Adoration of the Magi. c.1480. (Oil and tempera on wood)
LRI9011693 Adoration of the Magi. c.1480. (Oil and tempera on wood) by Lippi, Filippo (c.1406-69); 57, 5 -- 85, 7 cm; National Gallery, London, UK; (add.info.: Adoration of the Magi. about 1480)

Ducal Palace: north-west wall of the Bridal Chamber or Camera Picta
GRL9036425 Ducal Palace: north-west wall of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020863 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020823 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Annunciated Virgin, before 1435 (polychrome sculpture)
GRL9036325 Annunciated Virgin, before 1435 (polychrome sculpture) by Valdambrino, Francesco di (d.1435); Montepulciano Cathedral, Italy; (add.info.: Montepulciano, Duomo (Cathedral of S)

Various Saints adoring the Madonna, Triptych of the Assumption, 1401 (oil on panel)
GRL9036322 Various Saints adoring the Madonna, Triptych of the Assumption, 1401 (oil on panel) by Bartolo, Taddeo di (1362/63-1422); Montepulciano Cathedral, Italy; (add.info.: Montepulciano)

Masaccio, born Tommaso di Ser Giovanni di Simone
KWE709480 Masaccio, born Tommaso di Ser Giovanni di Simone, 1401 1428. Artist of the Quattrocento period of the Italian Renaissance

Medieval town, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)
BEN5463647 Medieval town, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici Riccardi, Florence

The Bridal Chamber or Camera Picta, c.1465-74 (fresco)
GRL9036479 The Bridal Chamber or Camera Picta, c.1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museum, Mantua, Lombardy

Procession of Balthasar as John VIII Palaeologus
XAL884964 Procession of Balthasar as John VIII Palaeologus, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli

John VII Palaeologus (1391-1448)
XAL884963 John VII Palaeologus (1391-1448), Eastern Roman Emperor, as Balthasar, one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli

Triptych of the Assumption, 1401 (painting on panel)
GRL9036476 Triptych of the Assumption, 1401 (painting on panel) by Taddeo di Bartolo (c.1362-1422); Montepulciano Cathedral, Italy; (add.info.: Montepulciano, Duomo (Cathedral of S)

St. Bernardine from Siena, 1456 (oil on canvas)
GRL9036318 St. Bernardine from Siena, 1456 (oil on canvas) by Giovanni di Paolo di Grazia (1403-82); (add.info.: Montepulciano, church of St. Augustine: "St)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020943 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020849 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020834 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

The Bridal Chamber or Camera Picta, c.1465-74 (fresco)
GRL9036480 The Bridal Chamber or Camera Picta, c.1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museum, Mantua, Lombardy

The Bridal Chamber or Camera Picta, c.1465-74 (fresco)
GRL9036478 The Bridal Chamber or Camera Picta, c.1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museum, Mantua, Lombardy

Celebration of the family of Ludovico II Gonzaga, c.1465-74 (fresco)
GRL9036477 Celebration of the family of Ludovico II Gonzaga, c.1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museum, Mantua, Lombardy

The Madonna and Child with St Louis of Toulouse
STM620221 The Madonna and Child with St Louis of Toulouse, John the Evangelist, and Donors, 1486 (tempera & oil on panel) by Ghirlandaio, Davide (1452-1525); 151.1x80 cm; Saint Louis Art Museum

Ducal Palace: south-west wall of the Bridal Chamber or Camera Picta
GRL9036426 Ducal Palace: south-west wall of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

Montepulciano, church of St. Augustine: facade, 15th century (photo)
GRL9036315 Montepulciano, church of St. Augustine: facade, 15th century (photo) by Bartolomeo, Michelozzo Di (1396-1472); (add.info.: Montepulciano, church of St. Augustine: facade)

Nursing Madonna, c.1440-50 (fresco)
GRL9036314 Nursing Madonna, c.1440-50 (fresco) by Italian School, (15th century); (add.info.: Montepulciano, church of Sant'Agnese: "Nursing Madonna")

Balustrade with a court lady, her black servant, and some putti, c.1465-74 (fresco)
GRL9036481 Balustrade with a court lady, her black servant, and some putti, c.1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museum, Mantua, Lombardy

Ducal Palace: vault of the Bridal Chamber or Camera Picta
GRL9036430 Ducal Palace: vault of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

Ducal Palace: vault of the Bridal Chamber or Camera Picta
GRL9036429 Ducal Palace: vault of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

Ducal Palace: vault of the Bridal Chamber or Camera Picta
GRL9036428 Ducal Palace: vault of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

Ducal Palace: vault of the Bridal Chamber or Camera Picta
GRL9036427 Ducal Palace: vault of the Bridal Chamber or Camera Picta, which is a room located in the north-east tower of the Castle of San Giorgio in Mantua

John VII Palaeologus (1391-1448)
BEN5464068 John VII Palaeologus (1391-1448), Eastern Roman Emperor, as Balthasar, one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli

Young Woman, circa 1490, by Domenico Ghirlandaio
Domenico Ghirlandaio (1449-1494). Italian painter. Portrait of a Young Woman, circa 1490. Tempera on wood. Calouste Gulbenkian Museum. Lisbon, Portugal

The Resurrection
XEE5033075 The Resurrection

Fra Filippo Lippi, ca. 1406 - 1469
KWE709482 Fra Filippo Lippi, ca. 1406 - 1469, aka Lippo Lippi. Italian artist of the Italian Quattrocento. From Histoire des Peintres, École Florentine, published 1876 (litho); Private Collection

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The quattrocento, also known as the 15th century Renaissance period in Italy, was a time of great artistic and cultural flourishing. Artists such as Gozzoli, Benozzo di Lese, Antonello da Messina, Sandro Botticelli, Michelangelo Buonarroti, Fra Angelico, Andrea Mantegna, and Bartolomeo Bellano left their mark on this era with their remarkable works. Gozzoli's intricate paintings captivated viewers with their vibrant colors and detailed storytelling. Meanwhile, Benozzo's Virgin Annunciate showcased his mastery of light and shadow to create a sense of depth and realism. Antonello da Messina's painting titled "Virgin Annunciate" depicted the moment when Mary received the news that she would bear Jesus. The artist skillfully captured her emotions through delicate brushstrokes. One cannot discuss the quattrocento without mentioning Alessandro Botticelli's iconic masterpiece - "Birth of Venus. " This ethereal painting portrays the goddess emerging from a seashell onto a serene beachscape. Michelangelo Buonarroti's La Pieta marble sculpture is another notable work from this period. Its beauty lies in its emotional intensity as it depicts Mary cradling Jesus' lifeless body after his crucifixion. Fra Angelico created stunning religious artworks like "The Annunciation, " which showcased his meticulous attention to detail and use of vivid colors to convey spiritual themes. Hermes Trismegistus is an intriguing figure found within Italy's Siena Cathedral. This mystical character represents wisdom and knowledge during this time when humanistic ideas were gaining prominence. The dome of Florence Cathedral stands tall as an architectural marvel even today. Its design showcases the technical prowess achieved during the 16th century by combining mathematical precision with aesthetic elegance. Andrea Mantegna's "Lamentation" captures Christ being mourned by his followers after the crucifixion.