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Poster Print : Caricature of Archdeacon Dunbar, Anglican clergyman

Caricature of Archdeacon Dunbar, Anglican clergyman




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Caricature of Archdeacon Dunbar, Anglican clergyman

Caricature of Archdeacon Charles Gordon Cumming Dunbar (1844-1916), Anglican clergyman of St Andrews Church, Tavistock Place, London, who was involved in a divorce case in 1881 brought by his wife, Edith Wentworth Dunbar, but was found not guilty of adultery. The Venerable Archdeacon Dunbar. The Church and the Stage -- the Pulpit and the Pay-Box.
1883

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14310688

© Terry Parker / Mary Evans Picture Library

1881 1883 Andrew Andrews Anglican Archdeacon Bryan Case Clergy Clergyman Clergymen Cumming Divorce Dunbar Entracte Gordon Money Office Pulpit Tavistock Ticket Venerable


18x24 inch Poster Print

Bring a touch of historical wit to your walls with our Media Storehouse Caricature of Archdeacon Dunbar Poster Print. This intriguing piece, created by renowned caricaturist Terry Parker and published by Mary Evans Picture Library, captures the likeness of the Anglican clergyman, Archdeacon Charles Gordon Cumming Dunbar. Known for his tenure at St Andrews Church in Tavistock Place, London, this caricature was published during a time when Dunbar was involved in a high-profile divorce case in 1881. Add this captivating print to your home or office for a unique blend of history and humor.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Alfred > Related Images

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > Scotland > East Lothian > Dunbar

> Europe > United Kingdom > Scotland > Fife > St Andrews

> Europe > United Kingdom > Scotland > Lothian > Dunbar

> Popular Themes > Money

> Popular Themes > St Andrews


EDITORS COMMENTS
This caricature depicts the Venerable Archdeacon Charles Gordon Cumming Dunbar, an Anglican clergyman of St. Andrew's Church in Tavistock Place, London, who found himself at the center of a sensational divorce case in 1881. The image, titled "The Church and the Stage -- the Pulpit and the Pay-Box," captures the intriguing juxtaposition of Dunbar's dual roles in religion and the theater world. Dunbar's wife, Edith Wentworth Dunbar, brought charges of adultery against him, but the archdeacon was ultimately found not guilty. The caricature, created in 1883, playfully illustrates the public's fascination with the clergyman's double life. The image shows Dunbar in his clerical attire, holding a church pulpit in one hand and a theater ticket in the other, with a theatrical pay-box and an office in the background. The caricature's title, "The Church and the Stage," emphasizes the contrast between the sacred and the secular, the pulpit and the pay-box. Alfred Bryan, a renowned caricaturist, is believed to be the artist behind this intriguing work. The image offers a glimpse into the complexities of Victorian society, where the lines between religion, morality, and entertainment were often blurred. This caricature of the Venerable Archdeacon Dunbar, a man of the cloth with a secret life in the theater, offers a fascinating glimpse into the intricacies of Victorian society and the public's fascination with the personal lives of prominent figures.

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