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Metal Print : Caricature of Archdeacon Dunbar, Anglican clergyman
Metal Prints From Mary Evans Picture Library
Caricature of Archdeacon Dunbar, Anglican clergyman
Caricature of Archdeacon Charles Gordon Cumming Dunbar (1844-1916), Anglican clergyman of St Andrews Church, Tavistock Place, London, who was involved in a divorce case in 1881 brought by his wife, Edith Wentworth Dunbar, but was found not guilty of adultery. The Venerable Archdeacon Dunbar. The Church and the Stage -- the Pulpit and the Pay-Box.
1883
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14310688
© Terry Parker / Mary Evans Picture Library
1881 1883 Andrew Andrews Anglican Archdeacon Bryan Case Clergy Clergyman Clergymen Cumming Divorce Dunbar Entracte Gordon Money Office Pulpit Tavistock Ticket Venerable
16"x20" (51x41cm) Metal Print
Bring a touch of historical wit to your home or office with our Media Storehouse Metal Prints featuring the captivating caricature of Archdeacon Charles Gordon Cumming Dunbar. This intriguing image, taken from the Mary Evans Picture Library, showcases a caricature of the Anglican clergyman by Terry Parker. Known for his involvement in a high-profile divorce case in 1881, Archdeacon Dunbar of St Andrews Church, Tavistock Place, London, is depicted in this humorous and intriguing illustration. Our Metal Prints are known for their vibrant colors, high-quality finish, and durability, ensuring that this unique piece of history remains a conversation starter for years to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This caricature depicts the Venerable Archdeacon Charles Gordon Cumming Dunbar, an Anglican clergyman of St. Andrew's Church in Tavistock Place, London, who found himself at the center of a sensational divorce case in 1881. The image, titled "The Church and the Stage -- the Pulpit and the Pay-Box," captures the intriguing juxtaposition of Dunbar's dual roles in religion and the theater world. Dunbar's wife, Edith Wentworth Dunbar, brought charges of adultery against him, but the archdeacon was ultimately found not guilty. The caricature, created in 1883, playfully illustrates the public's fascination with the clergyman's double life. The image shows Dunbar in his clerical attire, holding a church pulpit in one hand and a theater ticket in the other, with a theatrical pay-box and an office in the background. The caricature's title, "The Church and the Stage," emphasizes the contrast between the sacred and the secular, the pulpit and the pay-box. Alfred Bryan, a renowned caricaturist, is believed to be the artist behind this intriguing work. The image offers a glimpse into the complexities of Victorian society, where the lines between religion, morality, and entertainment were often blurred. This caricature of the Venerable Archdeacon Dunbar, a man of the cloth with a secret life in the theater, offers a fascinating glimpse into the intricacies of Victorian society and the public's fascination with the personal lives of prominent figures.
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