Poster Print : A 1930s British film studio by Alfred Bestall
Poster Prints from Mary Evans Picture Library
A 1930s British film studio by Alfred Bestall
An impression by Alfred Bestall of the making of a close-up in a British film studio in the 1930s. A host of lighting and camera men are focused on a single actress
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4403923
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10224265
1932 23rd Bestall Camera Close Host Impression Lighting Focused
20x30 inch Poster Print
Introducing the Media Storehouse collection of vintage-inspired poster prints, featuring an enchanting impression of a 1930s British film studio by renowned artist Alfred Bestall. Witness the magic of cinematic history unfold as a captivating scene of meticulous preparation comes to life. This evocative image brings you closer to the heart of the golden age of filmmaking, with a host of dedicated lighting and camera crew intently focused on a single, radiant actress. Elevate your space with a piece of cinematic history and transport yourself back in time with this exquisite, rights-managed print from Mary Evans Prints Online.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "The Magic of Cinema: An Impression of Film Making in 1930s Britain by Alfred Bestall" In this photograph by Alfred Bestall, we are granted a rare glimpse into the world of British filmmaking during the 1930s. The image, titled "An Impression by Alfred Bestall of the Making of a Close-Up in a British Film Studio, November 1932," offers a fascinating insight into the intricate process of capturing a single moment on celluloid. The photograph is set in a bustling film studio, where a host of dedicated men are intently focused on a solitary actress. The actress, with a determined expression on her face, is positioned in front of a large camera, her eyes fixed on an unseen mark. The atmosphere is electric, as the team of lighting and camera men work together to create the perfect conditions for the close-up shot. The lighting men, dressed in crisp white shirts and black ties, are seen adjusting the position and intensity of the lights, ensuring that every detail of the actress's face is illuminated to perfection. Meanwhile, the camera men, clad in dark suits and hats, are meticulously setting up their equipment, fine-tuning the focus and framing of the shot. The photograph, which was published in the Illustrated London News on the 23rd of December, 1932, offers a historical record of the painstaking process involved in filmmaking during this era. It is a testament to the skill, dedication, and teamwork required to bring a film to life, and a reminder of the magic that unfolds behind the scenes. This image, which is available as a print from Mary Evans Prints Online, is a valuable addition to any collection of film history or photography. It is not only a beautiful and intriguing work of art, but also a fascinating historical document that offers a unique perspective on the world of British cinema during the 1930s.
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