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Poster Print : Villanneau. Henri, Fernand. 35 ans, ne le 11 / 3 / 59 a Poitiers. Clerc de notaire

Villanneau. Henri, Fernand. 35 ans, ne le 11  /  3  /  59 a Poitiers. Clerc de notaire




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Villanneau. Henri, Fernand. 35 ans, ne le 11 / 3 / 59 a Poitiers. Clerc de notaire

Villanneau. Henri, Fernand. 35 ans, ne le 11/3/59 a Poitiers. Clerc de notaire. Anarchiste. 2/7/94. 1894

Heritage Images features heritage image collections

Media ID 20138424

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


18x24 inch Poster Print

Step back in time with our Media Storehouse Poster Print featuring the captivating image of Henri Villanneau, a 35-year-old clerk of notary from Poitiers, France, born on the 11th of March, 1859. This vintage portrait, taken by renowned photographer Alphonse Bertillon in 1894, also reveals Henri's anarchist affiliation, adding an intriguing layer to his story. Bring this piece of history into your home or office and start a conversation with our beautifully printed and preserved poster.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Villanneau. Henri, Fernand" captures the essence of a man named Henri Fernand Villanneau. Born on March 11th, 1859 in Poitiers, France, he was a 35-year-old notary clerk at the time this photograph was taken in 1894. The image is part of Alphonse Bertillon's anthropological collection and showcases his pioneering work in criminal identification. Bertillonage, as it came to be known, revolutionized forensic science by introducing systematic measurements and photography for identifying criminals. Henri Fernand Villanneau's mugshot reveals more than just his physical appearance; it also hints at his political leanings. Labeled an anarchist, this portrait becomes a testament to the turbulent political climate of late-19th-century France. Displayed at The Metropolitan Museum of Art today as part of their heritage art collection, this albumen silver print serves as both historical documentation and artistic expression. It offers viewers an intriguing glimpse into the intersection between science and politics during that era. Alphonse Bertillon's meticulous attention to detail shines through in every aspect of this arresting composition – from the clarity captured by his camera lens to the precise anthropometric measurements recorded alongside Villanneau's image. As we gaze upon this remarkable piece from our past, we are reminded once again how art can transcend its medium and become a powerful tool for understanding history and human nature alike.

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