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Poster Print : Heavenly King Virudhaka, 1368-1644. Creator: Unknown

Heavenly King Virudhaka, 1368-1644. Creator: Unknown




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Heavenly King Virudhaka, 1368-1644. Creator: Unknown

Heavenly King Virudhaka, 1368-1644. Heavenly Kings are guardians who watch over the cardinal directions: north, south, west, and east. Sculptures or paintings of these guardian kings are often placed at the entrance or at the four corners of the altar or inner temple. This king is the guardian of the south ( Zengzhang tianwang, also called Virudhaka). His attribute is a sword carried in his right hand to protect the southern continent and the dharma, or Buddhist teaching. Associated with the colour blue, his face is depicted in that colour. His fearsome bulging eyes, the dark face, and his demonic attendants keep evil away. This painting was recently restored by conservators of the museums Chinese painting conservation studio. They stabilized loose pigment and creases and replaced the silk mount. The Guardians legs are missing; the painting was cropped long before it entered the museums collection

Heritage Images features heritage image collections

Media ID 19632640

© Heritage Art/Heritage Images

1368 1644 Colour On Silk Hanging Scroll Ming Dynasty


18x24 inch Poster Print

Experience the divine with our exquisite selection of poster prints featuring the enigmatic Heavenly King Virudhaka, 1368-1644. This captivating image, sourced from Heritage Images, showcases the Heavenly King in his regal splendor, radiating power and serenity. As one of the guardians of the cardinal directions, Virudhaka is believed to protect the north. Bring the rich history and spirituality of this ancient deity into your home or workplace with our high-quality, museum-grade poster prints. Perfect for meditation spaces, art galleries, or any room seeking a touch of the ethereal.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Sculpture

> Europe > United Kingdom > England > Cleveland

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings


EDITORS COMMENTS
This print showcases the Heavenly King Virudhaka, a majestic guardian who diligently watches over the southern cardinal direction. Created during the Ming Dynasty between 1368 and 1644, this painting exudes an air of divine protection and spiritual significance. Adorned with vibrant blue hues that symbolize his association with the southern continent, Virudhaka wields a mighty sword in his right hand. This powerful weapon serves as both a physical defense for his realm and a metaphorical safeguard for Buddhist teachings, known as dharma. The artist's attention to detail is evident in Virudhaka's fearsome bulging eyes and dark face, which add an aura of intimidation to ward off any evil forces. Accompanying him are demonic attendants whose presence further reinforces their role as protectors against malevolent influences. Recently restored by skilled conservators at The Cleveland Museum of Art's Chinese painting conservation studio, this artwork has been meticulously stabilized. Loose pigment and creases have been carefully addressed while the silk mount has been replaced to ensure its longevity. Although time has taken its toll on this masterpiece, it remains awe-inspiring even without its lower section depicting the Guardian's legs. Despite this missing element, its historical value and artistic beauty continue to captivate viewers from all walks of life.

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