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Poster Print : The Irish Vampire, 1885. Artist: John Tenniel

The Irish Vampire, 1885. Artist: John Tenniel




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The Irish Vampire, 1885. Artist: John Tenniel

The Irish Vampire, 1885. The Irish National League, with the face of Charles Stewart Parnell (1846-1891), shown as a vampire preying on Ireland. Cartoon from Punch. (London, 24 October 1885)

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Media ID 14844680

© Ann Ronan Picture Library / Heritage-Images

Charles Stewart Charles Stewart Parnell Defenceless Evil Helpless Ireland Irish Irish Home Rule John Tenniel Menace Menacing Parnell Propaganda Sir John Tenniel Tenniel Threatening Vampire Allegorical Figure Ann Ronan Pictures


18x24 inch Poster Print

Bring a piece of historical satire into your home with our Media Storehouse Poster Print of "The Irish Vampire, 1885" by John Tenniel. This iconic cartoon from Punch magazine, published in London on October 24, 1885, features Charles Stewart Parnell, the Irish political leader, depicted as a vampire preying on Ireland. A fascinating and intriguing piece of Irish and political history, this poster print makes for an excellent conversation starter and adds character to any room. Produced by Heritage Images, this high-quality print is a must-have for history buffs and art enthusiasts alike.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > Charles White

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > Politics

> People > Politicians

> Popular Themes > Politics


The Irish Vampire, 1885

EDITORS COMMENTS
is a powerful political cartoon created by John Tenniel during the late 19th century. The print depicts Charles Stewart Parnell, an influential Irish politician and leader of the Irish National League, as a menacing vampire preying on Ireland. This allegorical figure represents England's oppressive control over Ireland and serves as a scathing critique of British rule. Tenniel's engraving portrays Parnell with the face of a vampire, emphasizing his perceived evil intentions towards his own country. The image captures the helplessness and defencelessness of the Irish people under English dominance. Through this satirical caricature, Tenniel highlights the concept of propaganda in politics and exposes how power can corrupt even those who claim to fight for their nation's interests. The artist skillfully uses symbolism to convey his message; Parnell's vampiric portrayal suggests that he is draining Ireland's resources while benefiting himself. The woman depicted in the cartoon represents Ireland itself – fragile and at risk from external forces. This visual metaphor underscores England's exploitation of its neighboring country. "The Irish Vampire, 1885" remains an iconic piece that reflects both historical events and artistic expression from that era. It serves as a reminder of the ongoing struggle for independence faced by many nations throughout history and raises questions about power dynamics within political systems. Tenniel’s work continues to provoke thought on issues such as nationalism, imperialism, and resistance against oppression.

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