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Metal Print : The Irish Vampire, 1885. Artist: John Tenniel
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The Irish Vampire, 1885. Artist: John Tenniel
The Irish Vampire, 1885. The Irish National League, with the face of Charles Stewart Parnell (1846-1891), shown as a vampire preying on Ireland. Cartoon from Punch. (London, 24 October 1885)
Heritage Images features heritage image collections
Media ID 14844680
© Ann Ronan Picture Library / Heritage-Images
Charles Stewart Charles Stewart Parnell Defenceless Evil Helpless Ireland Irish Irish Home Rule John Tenniel Menace Menacing Parnell Propaganda Sir John Tenniel Tenniel Threatening Vampire Allegorical Figure Ann Ronan Pictures
16"x20" (51x41cm) Metal Print
Bring a piece of historical satire into your home with our Media Storehouse Metal Print featuring "The Irish Vampire, 1885" by John Tenniel. This iconic cartoon from Punch magazine depicts Charles Stewart Parnell, the Irish nationalist leader, as a vampire preying on Ireland. The intricate details of Tenniel's original artwork are brilliantly captured in this high-quality metal print, adding a unique and captivating touch to any room. Experience the rich history and wit of this classic image with our durable and stylish Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Irish Vampire, 1885
EDITORS COMMENTS
is a powerful political cartoon created by John Tenniel during the late 19th century. The print depicts Charles Stewart Parnell, an influential Irish politician and leader of the Irish National League, as a menacing vampire preying on Ireland. This allegorical figure represents England's oppressive control over Ireland and serves as a scathing critique of British rule. Tenniel's engraving portrays Parnell with the face of a vampire, emphasizing his perceived evil intentions towards his own country. The image captures the helplessness and defencelessness of the Irish people under English dominance. Through this satirical caricature, Tenniel highlights the concept of propaganda in politics and exposes how power can corrupt even those who claim to fight for their nation's interests. The artist skillfully uses symbolism to convey his message; Parnell's vampiric portrayal suggests that he is draining Ireland's resources while benefiting himself. The woman depicted in the cartoon represents Ireland itself – fragile and at risk from external forces. This visual metaphor underscores England's exploitation of its neighboring country. "The Irish Vampire, 1885" remains an iconic piece that reflects both historical events and artistic expression from that era. It serves as a reminder of the ongoing struggle for independence faced by many nations throughout history and raises questions about power dynamics within political systems. Tenniel’s work continues to provoke thought on issues such as nationalism, imperialism, and resistance against oppression.
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