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Poster Print : Delesderrier. Louis. 34 ans, ne le 2 / 3 / 60 a Paris Ille. Ciseleur. Anarchiste

Delesderrier. Louis. 34 ans, ne le 2  /  3  /  60 a Paris Ille. Ciseleur. Anarchiste




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Delesderrier. Louis. 34 ans, ne le 2 / 3 / 60 a Paris Ille. Ciseleur. Anarchiste

Delesderrier. Louis. 34 ans, ne le 2/3/60 a Paris Ille. Ciseleur. Anarchiste. 16/3/94. 1894

Heritage Images features heritage image collections

Media ID 20137112

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


18x24 inch Poster Print

Step back in time with our captivating poster print from the Media Storehouse collection. Featuring the enigmatic figure of Louis Delesderrier, a 34-year-old Parisian born on February 2, 1860, this evocative image captures the essence of the late 19th century. Delesderrier, a skilled engraver and anarchist, is depicted in this powerful photograph taken by Alphonse Bertillon in 1894. Add a touch of history and intrigue to your space with this stunning vintage poster print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Ille

> Europe > France > Le Mans

> Europe > France > Paris > Politics

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


Delesderrier. Louis. 34 ans, ne le 2/3/60 a Paris Ille. Ciseleur. Anarchiste

EDITORS COMMENTS
. This print by Alphonse Bertillon takes us back to the late 19th century, offering a glimpse into the life of Louis Delesderrier, a 34-year-old man born on March 2nd, 1860 in Paris Ille. A skilled ciseleur (chaser), he was also known for his strong anarchist beliefs. The image captures Delesderrier's mugshot, taken on March 16th, 1894 as part of Bertillon's pioneering anthropometric system used for criminal identification. In this portrait-style photograph, we see a serious-looking man with an intense gaze and prominent features that reflect both his physical appearance and inner convictions. Bertillonage revolutionized the field of forensic science during that era by introducing standardized measurements and photography techniques to aid in criminal investigations. This particular image serves as evidence of how political ideologies intertwined with crime at the time. Displayed at The Metropolitan Museum of Art today as part of their heritage collection, this photograph not only showcases Bertillon's scientific approach but also sheds light on the social and political climate in France during the late nineteenth century. Through this powerful visual document, we are reminded of how art can transcend its medium to become an invaluable historical artifact—a testament to both individual stories like Delesderrier's and broader societal narratives

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