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Poster Print : Clouard. Paul, Jules. 35 ans, ne le 20 / 6 / 58 a Peugans (Manche). Retameur

Clouard. Paul, Jules. 35 ans, ne le 20  /  6  /  58 a Peugans (Manche). Retameur




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Clouard. Paul, Jules. 35 ans, ne le 20 / 6 / 58 a Peugans (Manche). Retameur

Clouard. Paul, Jules. 35 ans, ne le 20/6/58 a Peugans (Manche). Retameur. Anarchiste. 9/3/94. 1894

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Media ID 20137222

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Craftsman Criminal Identification Mug Shot Mugshot Physical Anthropology Rag And Bone Man Tinker Tinsmith Albumen Silver Print


18x24 inch Poster Print

Step back in time with our Media Storehouse Poster Print featuring the captivating image of Paul Clouard. Born on June 20, 1958, in Peugans, Manche, Clouard was a 35-year-old retameur, or farmer, at the time this photograph was taken in 1894. Known for his anarchist beliefs, Clouard's image, captured by renowned photographer Alphonse Bertillon, offers a unique glimpse into the past. Add this historical print to your collection and bring a piece of the past into your home or office.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Manche

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print by Alphonse Bertillon captures the enigmatic figure of Clouard. Paul, Jules, a 35-year-old tinsmith from Peugans (Manche), France. Taken in 1894, this albumen silver print showcases the meticulous anthropometric techniques employed by Bertillon to document individuals for identification purposes. Clouard's arresting gaze and rugged appearance hint at his unconventional lifestyle as an anarchist and retamer - a craftsman who specializes in reclaiming discarded materials. His mugshot-like portrait reflects both the scientific approach of physical anthropology prevalent during that time and the political climate of late 19th-century France. Bertillonage, pioneered by Alphonse Bertillon himself, revolutionized criminal identification through precise measurements of various body parts. This photograph stands as a testament to his groundbreaking work in forensic science. Displayed at The Metropolitan Museum of Art, this image not only serves as an invaluable historical artifact but also invites us to ponder upon Clouard's story within the broader context of French society during that era. It is a glimpse into a world where occupation defined one's identity and politics played a significant role in shaping individual destinies. Through this photograph, we are transported back in time to witness the convergence of artistry, science, politics, and human existence captured within its monochromatic frame.

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