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Poster Print : Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis

Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis




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Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis

Chatterton (The Death of Chatterton), 1856. Thomas Chatterton (1752-1770) was an unsuccessful poet whose suicide became a symbol of blighted artistic genius. Wallis used his friend George Meredith (1828-1909), also a struggling writer, as the model

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Media ID 20634258

© Heritage Art/Heritage Images

Artistic Style Bed Chamber Bedchamber Bedroom Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Chatterton Corpse Dead Deathbed Despair Henry Henry Wallis Letter Letters Pre Raphaelite Pre Raphaelite Brotherhood Suicide Thomas Chatterton Tragedy Tragic Wallis George Meredith Meredith


18x24 inch Poster Print

Experience the haunting beauty and tragic tale of Thomas Chatterton with our Media Storehouse Poster Print of Henry Wallis' iconic painting, "Chatterton (The Death of Chatterton)," 1856. This exquisite work of art captures the moment of Chatterton's suicide, immortalizing the young poet's life and his enduring legacy as a symbol of artistic genius thwarted by circumstance. Wallis' masterful use of light and shadow creates an ethereal atmosphere, drawing viewers into the depths of Chatterton's story. Bring this captivating piece into your home or office to inspire creativity, spark conversation, and add a touch of history to your space.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Henry

> Arts > Artists > W > Henry Wallis

> Arts > Literature

> Europe > United Kingdom > England > Birmingham > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Popular Themes > Poets


EDITORS COMMENTS
The print captures Henry Wallis' iconic painting "Chatterton (The Death of Chatterton), 1856" which depicts the tragic figure of Thomas Chatterton, an unsuccessful poet whose suicide became a symbol of blighted artistic genius. In this masterpiece, Wallis used his friend George Meredith as the model, who himself was a struggling writer. Set in an 18th-century bedchamber, the scene portrays Chatterton lying lifeless on his deathbed. The room is filled with despair and melancholy as the young poet's body lies motionless amidst scattered letters and poetry manuscripts. The vibrant colors and meticulous attention to detail reflect Wallis' adherence to the Pre-Raphaelite Brotherhood's artistic style. This artwork not only pays homage to Chatterton but also serves as a commentary on the plight of artists throughout history. It explores themes of tragedy and loss while shedding light on society's inability to recognize and appreciate creative talent during its time. Displayed at Birmingham Museum and Art Gallery, this painting stands as a testament to British heritage art. Its presence within this esteemed institution allows visitors to delve into the depths of human emotion through visual storytelling. As we gaze upon this image, we are reminded of both Chatterton's untimely demise and our collective responsibility to nurture creativity in all its forms. Through Wallis' brushstrokes, we witness the power that art holds in immortalizing those who have been overlooked or misunderstood by their contemporaries.

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