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Poster Print : A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570



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A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

EL ESCORIAL: FLOOR DESIGN.
A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10410902

1570 Circle Design Diagram El Escorial Floor Geometric Herrera Juan Marble Monastery Palace Pantheon Pattern Plan Spain Spanish Inlay


27x27 inch Poster Print

Bring historical elegance into your home with our Media Storehouse Poster Print of a rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. This captivating print, featuring a drawing by architect Juan de Herrera from c1570, offers a glimpse into the rich history and artistry of El Escorial. The intricate details and vibrant colors of the design are beautifully preserved in this high-quality print, making it a stunning addition to any room. Relive the grandeur of the past with this unique and fascinating piece of art.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Architecture > Related Images

> Europe > Spain > Related Images


EDITORS COMMENTS
This print showcases a rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Created by architect Juan de Herrera around 1570, this drawing offers a glimpse into the intricate planning process behind one of Spain's most iconic architectural wonders. The image reveals an exquisite pattern that combines elements of late Renaissance and Spanish architecture. The geometric precision is evident as circles intersect with meticulously placed lines, forming an elaborate mosaic-like composition. This rejected design exemplifies Herrera's dedication to creating harmonious spaces within the royal palace. El Escorial, known for its grandeur and historical significance, was not only a royal residence but also served as a monastery. The attention to detail in this floor plan reflects both its regal purpose and religious undertones. As we delve into this artwork from The Granger Collection, we are transported back in time to witness the artistic vision that shaped El Escorial's interior. Although ultimately discarded, this drawing serves as a testament to Herrera's talent and his commitment to perfection. Whether you appreciate architectural marvels or have an affinity for Spanish history, this print allows you to admire the beauty found even in rejected designs – reminding us that creativity knows no bounds when it comes to leaving lasting impressions on our built environment.

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