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Poster Print : Cider Making, 1840-41 (oil on canvas)

Cider Making, 1840-41 (oil on canvas)




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Cider Making, 1840-41 (oil on canvas)

3493180 Cider Making, 1840-41 (oil on canvas) by Mount, William Sidney (1807-68); 68.6x86.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Commissioned by the Whig leader Charles Augustus Davis, this refers to the US presidential election of 1840. The simplicity of the cider makers evoke the Whig candidate, war-hero William Henry Harrison, promoted as a common man who preferred a log cabin and hard cider to the reputed excesses of Maartin Van Burens Democratic White House, whose disastrous Jacksonian financial policies were considered responsible for the 1837 panic.
); American, out of copyright

Media ID 22986574

© Bridgeman Images

Barrel Cider Democrat Land Long Island New England Whig


18x24 inch Poster Print

Bring the rich history of cider making to life in your home with our stunning poster prints from Bridgeman Images. This beautiful oil on canvas painting, titled "Cider Making, 1840-41" by William Sidney Mount, captures the essence of a bygone era. The intricate details of the scene, showcased in the Metropolitan Museum of Art's collection, are sure to captivate and inspire. Add a touch of fine art to your decor with this exquisite poster print, and transport yourself back in time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > America & American Art (+canada)

> Fine Art Finder > Artists > William Blake

> Fine Art Finder > Artists > William Sidney Mount

> Arts > Artists > C > William Charles

> Arts > Artists > M > William Sidney Mount

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Landscape paintings > Rural countryside paintings > Farmhouse art

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > England > York

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The print captures a scene from the 1840-41 oil on canvas painting titled "Cider Making" by William Sidney Mount. Measuring 68.6x86.7 cm, this artwork is housed in the Metropolitan Museum of Art in New York, USA. Commissioned by Whig leader Charles Augustus Davis, the painting alludes to the US presidential election of 1840. In this image, we see cider makers engaged in their craft against a backdrop of rural America. The simplicity and authenticity portrayed by these workers symbolize the ideals associated with Whig candidate William Henry Harrison – a war-hero who preferred humble living and hard cider over extravagance. The significance of this artwork lies in its political undertones. It contrasts Harrison's down-to-earth persona with Martin Van Buren's Democratic White House administration, which was blamed for financial turmoil during the Panic of 1837 due to its Jacksonian financial policies. This picturesque representation showcases traditional American farming practices and highlights the importance of cider-making as an integral part of North American culture during that era. As viewers gaze upon this masterpiece, they are transported back to a time when politics intertwined with everyday life on farms like those found in Setauket or Long Island. Through Mount's skillful brushstrokes, we are reminded not only of our nation's history but also how art can capture both beauty and political commentary simultaneously.

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