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Canvas Print : Cider Making, 1840-41 (oil on canvas)

Cider Making, 1840-41 (oil on canvas)



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Cider Making, 1840-41 (oil on canvas)

3493180 Cider Making, 1840-41 (oil on canvas) by Mount, William Sidney (1807-68); 68.6x86.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Commissioned by the Whig leader Charles Augustus Davis, this refers to the US presidential election of 1840. The simplicity of the cider makers evoke the Whig candidate, war-hero William Henry Harrison, promoted as a common man who preferred a log cabin and hard cider to the reputed excesses of Maartin Van Burens Democratic White House, whose disastrous Jacksonian financial policies were considered responsible for the 1837 panic.
); American, out of copyright

Media ID 22986574

© Bridgeman Images

Barrel Cider Democrat Land Long Island New England Whig


20"x16" (51x41cm) Canvas Print

Bring the rich history of cider making to life in your home with our exquisite Canvas Prints from Media Storehouse. This stunning artwork, "Cider Making, 1840-41" by William Sidney Mount, captures the essence of a bygone era with its intricate details and warm, inviting colors. Originally an oil on canvas painting from the Metropolitan Museum of Art, New York, this high-quality Canvas Print retains the original artwork's vibrant hues and textures, making it a beautiful addition to any decor. Transport yourself back in time and add a touch of history to your space with this timeless piece from Media Storehouse.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > William Charles

> Arts > Artists > M > William Sidney Mount

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Landscape paintings > Rural countryside paintings > Farmhouse art

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > England > York

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Fine Art Finder > America & American Art (+canada)

> Fine Art Finder > Artists > William Blake

> Fine Art Finder > Artists > William Sidney Mount


EDITORS COMMENTS
The print captures a scene from the 1840-41 oil on canvas painting titled "Cider Making" by William Sidney Mount. Measuring 68.6x86.7 cm, this artwork is housed in the Metropolitan Museum of Art in New York, USA. Commissioned by Whig leader Charles Augustus Davis, the painting alludes to the US presidential election of 1840. In this image, we see cider makers engaged in their craft against a backdrop of rural America. The simplicity and authenticity portrayed by these workers symbolize the ideals associated with Whig candidate William Henry Harrison – a war-hero who preferred humble living and hard cider over extravagance. The significance of this artwork lies in its political undertones. It contrasts Harrison's down-to-earth persona with Martin Van Buren's Democratic White House administration, which was blamed for financial turmoil during the Panic of 1837 due to its Jacksonian financial policies. This picturesque representation showcases traditional American farming practices and highlights the importance of cider-making as an integral part of North American culture during that era. As viewers gaze upon this masterpiece, they are transported back to a time when politics intertwined with everyday life on farms like those found in Setauket or Long Island. Through Mount's skillful brushstrokes, we are reminded not only of our nation's history but also how art can capture both beauty and political commentary simultaneously.

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