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Poster Print : The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)




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The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121 The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Sarah Archer (nee West), Lady Archer (1741-1801), Wife of Whig politician Andrew, 2nd Lord Archer (1736-78)); English, out of copyright

Media ID 22931144

© Bridgeman Images

Boudoir Cosmetics Dressing Table Extravagant Face Paint Feather Finery Glasses Hanoverian Make Up Plume Rouge Social Satire Spectacles Stool Toilette Ugly Blusher


18x24 inch Poster Print

Add a touch of historical elegance to your space with our Media Storehouse range of Poster Prints featuring "The Finishing Touch," a captivating hand-coloured etching by James Gillray, published by Hannah Humphrey in 1791. This exquisite artwork, courtesy of Bridgeman Images from Fine Art Finder, showcases the wit and charm of the Regency era. Bring the timeless beauty of this iconic image into your home or office and elevate your décor with a piece of art that tells a story. Order your Media Storehouse Poster Print of "The Finishing Touch" today and make a statement with history.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Artists > A > James Archer

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Historic > Historical fashion trends > Georgian era fashion trends

> People > Politicians


The Finishing Touch

EDITORS COMMENTS
is a captivating and satirical image that takes us back to the extravagant world of Georgian society in 1791. This hand-coloured etching, published by Hannah Humphrey, showcases the remarkable talent of James Gillray, a renowned caricaturist of his time. In this scene, we are introduced to Lady Archer (nee West), the wife of Whig politician Andrew, 2nd Lord Archer. Seated at her dressing table in her elegant boudoir, she indulges in the art of beautification with an array of cosmetics and accessories surrounding her. With a feathered plume adorning her hat and spectacles perched on her nose, she meticulously applies blusher and face paint while gazing into a mirror. Gillray's social satire shines through as he humorously exaggerates Lady Archer's features with unflattering details. The artist playfully mocks the obsession with fashion and elegance prevalent during this era. Through his skilled engraving techniques, every intricate detail from the pot of rouge to the reflection in the mirror is brought to life. "The Finishing Touch" serves as both a window into historical beauty rituals and a commentary on societal norms. It reminds us that even centuries ago, individuals were captivated by their appearance and willing to go to great lengths for perfection. This print offers us an amusing glimpse into Georgian society while showcasing Gillray's artistic prowess in capturing human folly through caricature.

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