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Photographic Print : The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)




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The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121 The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Sarah Archer (nee West), Lady Archer (1741-1801), Wife of Whig politician Andrew, 2nd Lord Archer (1736-78)); English, out of copyright

Media ID 22931144

© Bridgeman Images

Boudoir Cosmetics Dressing Table Extravagant Face Paint Feather Finery Glasses Hanoverian Make Up Plume Rouge Social Satire Spectacles Stool Toilette Ugly Blusher


12"x8" Photo Print

Experience the captivating allure of history with Media Storehouse's exquisite range of Photographic Prints. This stunning offering showcases "The Finishing Touch," a hand-coloured etching published by Hannah Humphrey in 1791, created by the renowned artist James Gillray. Widely regarded as one of the greatest satirical artists of his time, Gillray masterfully captures the essence of 18th-century society in this intriguing piece. Each print is meticulously produced to preserve the original's intricate details and vivid colours, allowing you to bring a piece of history into your home or office. Immerse yourself in the rich tapestry of art and culture with Media Storehouse's exceptional Photographic Prints.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > James Archer

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Historic > Historical fashion trends > Georgian era fashion trends

> People > Politicians


The Finishing Touch

EDITORS COMMENTS
is a captivating and satirical image that takes us back to the extravagant world of Georgian society in 1791. This hand-coloured etching, published by Hannah Humphrey, showcases the remarkable talent of James Gillray, a renowned caricaturist of his time. In this scene, we are introduced to Lady Archer (nee West), the wife of Whig politician Andrew, 2nd Lord Archer. Seated at her dressing table in her elegant boudoir, she indulges in the art of beautification with an array of cosmetics and accessories surrounding her. With a feathered plume adorning her hat and spectacles perched on her nose, she meticulously applies blusher and face paint while gazing into a mirror. Gillray's social satire shines through as he humorously exaggerates Lady Archer's features with unflattering details. The artist playfully mocks the obsession with fashion and elegance prevalent during this era. Through his skilled engraving techniques, every intricate detail from the pot of rouge to the reflection in the mirror is brought to life. "The Finishing Touch" serves as both a window into historical beauty rituals and a commentary on societal norms. It reminds us that even centuries ago, individuals were captivated by their appearance and willing to go to great lengths for perfection. This print offers us an amusing glimpse into Georgian society while showcasing Gillray's artistic prowess in capturing human folly through caricature.

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