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Poster Print : On the Stour, 19th century (oil on canvas)

On the Stour, 19th century (oil on canvas)




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On the Stour, 19th century (oil on canvas)

3744001 On the Stour, 19th century (oil on canvas) by Constable, John (1776-1837) (manner of); 26.7x36.8 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English, out of copyright

Media ID 23138738

© Nottingham City Museums & Galleries / Bridgeman Images

River Stour Rowing Boat Windmill


18x24 inch Poster Print

Bring the timeless beauty of John Constable's "On the Stour" into your home with our high-quality Media Storehouse Poster Prints. This magnificent 19th century oil on canvas painting, inspired by Constable's masterful manner, transports you to the serene landscapes of the English countryside. With vivid colors and exceptional detail, our poster prints capture the essence of this iconic work from Bridgeman Images at Fine Art Finder. Experience the artistry of Constable and enhance your decor with this exquisite addition to your space.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > C > John Constable

> Arts > Artists > John Constable > Landscape paintings

> Arts > Artists > John Constable

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Landscape paintings > Waterfall and river artworks

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery


EDITORS COMMENTS
This 19th-century oil painting, titled "On the Stour" by John Constable, transports viewers to a serene English landscape. Measuring 26.7x36.8 cm, this artwork showcases the artist's mastery in capturing the beauty of nature. The scene depicts a peaceful river Stour flowing gently through the countryside. A charming rowing boat glides across the water, reflecting its image with perfect clarity. In the distance, an elegant windmill stands tall against a cloudy sky, adding a touch of rustic charm to the composition. A picturesque church nestled amidst lush greenery completes this idyllic view. The artist's meticulous attention to detail is evident in every brushstroke; from delicate tree branches swaying in the wind to fluffy clouds casting shadows on the tranquil waters below. Constable's love for his native England shines through this painting as he captures its natural splendor with remarkable precision and depth. The viewer can almost feel themselves transported into this timeless scene, immersing themselves in its tranquility and serenity. This exquisite print is housed at Nottingham City Museums and Galleries (Nottingham Castle), where it continues to inspire art enthusiasts with its ethereal beauty. As we gaze upon this masterpiece today, we are reminded of Constable's enduring legacy as one of England's greatest landscape painters.

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