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RUBENS, Peter Paul (1577-1640). Diana and her




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RUBENS, Peter Paul (1577-1640). Diana and her

RUBENS, Peter Paul (1577-1640). Diana and her Nymphs Surprised by Fauns. 1638-1640. Detail. Flemish art. Oil on canvas. SPAIN. Madrid. Prado Museum

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Media ID 8288049

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10690393

Diana Fauns Flemish Nymphs Prado Rubens Surprised Persons


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Diana and her Nymphs Surprised by Fauns

EDITORS COMMENTS
is a captivating masterpiece by the Flemish artist Peter Paul Rubens, painted between 1638 and 1640. This horizontal oil on canvas painting is currently housed at the prestigious Prado Museum in Madrid, Spain. The scene portrays the mythological goddess Diana, the huntress, and her nymphs taking a bath in a secluded forest clearing. The serene moment is interrupted by the sudden appearance of mischievous fauns, who peer at the women from behind trees and bushes, their expressions filled with delight and curiosity. Rubens' use of vibrant colors brings the forest to life, with the lush greens of the trees and foliage contrasting beautifully against the rich, earthy tones of the fauns' skin. The artist's masterful brushstrokes create a sense of movement and energy, as if the scene is unfolding before our very eyes. The group of people in the painting includes Diana, who is depicted in the center, her nymphs, and the surprised fauns. The women's expressions range from shock and amusement to embarrassment, while the fauns' faces are filled with mischief and delight. This detail image showcases the intricacy and detail that Rubens brought to his work. The individual strands of hair on the women's heads, the veins on the fauns' muscles, and the textures of the leaves and water are all rendered with exquisite care. Overall, "Diana and her Nymphs Surprised by Fauns" is a stunning example of Rubens' ability to capture the beauty and energy of nature, as well as the human emotions and interactions. It continues to captivate viewers at the Prado Museum and beyond, making it a beloved piece of Flemish art history.

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