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Ceramic tondo. Hospital of the Innocents. Florence
Ceramic tondo by Andrea della Robbia, depicting a baby with swaddling clothes. Hospital of the Innocents, built by Brunelleschi. 15th century. Florence. Italy
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Media ID 14319831
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Andrea Brunelleschi Ceramic Circular Della Filippo Florence Infant Innocents Renaissance Robbia Roundel Swaddling Terracotta Tuscany Wheel 15th Tondo
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: "A Symbol of Compassion and Nurture: Andrea della Robbia's Ceramic Tondo of a Baby at the Hospital of the Innocents in Florence" Andrea della Robbia's exquisite ceramic tondo, created in the 15th century, captures the essence of new life and the healing power of compassion at Florence's Hospital of the Innocents. This masterpiece, showcasing a baby swaddled in blue clothes, is a testament to the artistic and architectural brilliance of the Renaissance era. The Hospital of the Innocents, designed by Filippo Brunelleschi, is a significant architectural landmark in Florence, Italy. Established in 1410, it was the first hospital in Europe dedicated to the care of abandoned infants. The circular structure, with its distinctive arches and columns, served as a beacon of hope for countless children. Andrea della Robbia's ceramic tondo, a roundel or wheel-shaped relief, is a perfect representation of the hospital's mission. The artist expertly captured the delicate features of the baby, its peaceful expression, and the intricately folded swaddling clothes in terracotta. The use of the blue color for the baby's garments is believed to symbolize the Virgin Mary, further emphasizing the spiritual significance of the institution. The tondo is a remarkable example of the early Renaissance style, showcasing the innovative techniques of the time. The relief's high relief design, with its three-dimensional quality, adds depth and texture to the image. The ceramic medium, which was relatively new in the 15th century, allowed for the creation of intricate details and lifelike representations. As a symbol of hope, nurture, and compassion, Andrea della Robbia's ceramic tondo remains an enduring masterpiece. It stands as a testament to the artistic and architectural achievements of the Renaissance era and the enduring legacy of the Hospital of the Innocents in Florence, Italy.
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