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Innocents Collection

"Innocents: A Journey through Art and History" Step into the realm of innocence, where stories unfold and emotions intertwine

Background imageInnocents Collection: infant Christ rewarding martyred innocents Bethlehem

infant Christ rewarding martyred innocents Bethlehem
The infant Christ rewarding martyred innocents of Bethlehem, in Church of the Nativity. 1898, West Bank, Bethlehem, Israel

Background imageInnocents Collection: The Sunny Hours of Childhood, c.1770-1959 (print)

The Sunny Hours of Childhood, c.1770-1959 (print)
3673819 The Sunny Hours of Childhood, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois

Background imageInnocents Collection: Babes in the Wood - John Hassall

Babes in the Wood - John Hassall
Illustration of the fairy-tale Babes in the wood. Babes in the Wood is a traditional English children's tale, as well as a popular pantomime subject

Background imageInnocents Collection: The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)

The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)
3960781 The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving) by Hunt, William Holman (1827-1910); 98x131.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageInnocents Collection: Sleeping child (oil on canvas)

Sleeping child (oil on canvas)
885773 Sleeping child (oil on canvas) by Schiavoni, Felice (1803-81); Museo Civico Revoltella, Trieste, Italy; (add.info.: by Felice Schiavoni)

Background imageInnocents Collection: Madonna and Child, also known as Madonna Carrega, c. 1681 (Carrara marble)

Madonna and Child, also known as Madonna Carrega, c. 1681 (Carrara marble)
7352707 Madonna and Child, also known as Madonna Carrega, c.1681 (Carrara marble) by Puget, Pierre (1620-94); 143x74x78.5 cm; Museo di Sant'Agostino, Genoa

Background imageInnocents Collection: Schoolmates, 1884 (tempera on canvas)

Schoolmates, 1884 (tempera on canvas)
LAF470975 Schoolmates, 1884 (tempera on canvas) by Guthrie, James (1874-1952); 118.2x91.6 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageInnocents Collection: A Woodland Scene with Children and Goats, 1900 (oil on canvas)

A Woodland Scene with Children and Goats, 1900 (oil on canvas)
7333503 A Woodland Scene with Children and Goats, 1900 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 99.9x60.8 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Hornel)

Background imageInnocents Collection: Absout, 1897 (oil on canvas)

Absout, 1897 (oil on canvas)
AIS5377976 Absout, 1897 (oil on canvas) by Borras Abella, Vicente (1867-1945); Museo de San Pio V, Valencia, Spain; (add.info.: Painting by Vicente Borras Abella (1867-1945)); © Iberfoto

Background imageInnocents Collection: Vue de la fontaine et du square des Innocents (engraving)

Vue de la fontaine et du square des Innocents (engraving)
7179497 Vue de la fontaine et du square des Innocents (engraving) by French School, (19th century); Private Collection; (add.info.: Vue de la fontaine et du square des Innocents)

Background imageInnocents Collection: The Triumph of the Innocents (photogravure)

The Triumph of the Innocents (photogravure)
7192951 The Triumph of the Innocents (photogravure) by Hunt, William Holman (1827-1910) (after); Private Collection; (add.info.: The Triumph of the Innocents)

Background imageInnocents Collection: An Allegory of Faith (oil on canvas)

An Allegory of Faith (oil on canvas)
259392 An Allegory of Faith (oil on canvas) by Tischbein, Johann Friedrich August (1750-1812); 99.7x75.5 cm; Private Collection; (add.info.: A veiled virgin holding a Chalice.)

Background imageInnocents Collection: A young artist, 1887

A young artist, 1887
7215861 A young artist, 1887 by Dietrichson, Mathilde (1837-1921); 70x56 cm; Private Collection; Photo © O. Vaering

Background imageInnocents Collection: Triumph of Jesus Christ in mankind (engraving)

Triumph of Jesus Christ in mankind (engraving)
7185102 Triumph of Jesus Christ in mankind (engraving) by Titian (Tiziano Vecelli) (c.1488-1576) (after); Private Collection; (add.info.: Triumph of Jesus Christ in mankind)

Background imageInnocents Collection: A Sad Contrast (engraving)

A Sad Contrast (engraving)
7165842 A Sad Contrast (engraving) by English School, (19th century); Private Collection; (add.info.: A Sad Contrast. Illustration for Our Darlings, The Childrens Treasury of Pictures and Stories)

Background imageInnocents Collection: Two Pretty Creatures (colour litho)

Two Pretty Creatures (colour litho)
7165746 Two Pretty Creatures (colour litho) by English School, (19th century); Private Collection; (add.info.: Two Pretty Creatures)

Background imageInnocents Collection: A Vestal Virgin Crowned with Flowers, 1783 (oil on canvas)

A Vestal Virgin Crowned with Flowers, 1783 (oil on canvas)
7074483 A Vestal Virgin Crowned with Flowers, 1783 (oil on canvas) by David, Jacques Louis (1748-1825); Private Collection; French, out of copyright

Background imageInnocents Collection: The Proposed Addition to Westminster Abbey (engraving)

The Proposed Addition to Westminster Abbey (engraving)
1041770 The Proposed Addition to Westminster Abbey (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The Proposed Addition to Westminster Abbey)

Background imageInnocents Collection: Cimetiere des Innocents, 1552 (colour litho)

Cimetiere des Innocents, 1552 (colour litho)
962772 Cimetiere des Innocents, 1552 (colour litho) by French School, (19th century); Private Collection; (add.info.: Cimetiere des Innocents, 1552)

Background imageInnocents Collection: Two Praying Christmas Angels, 1909 (chromolithograph)

Two Praying Christmas Angels, 1909 (chromolithograph)
3035767 Two Praying Christmas Angels, 1909 (chromolithograph) by American School, (20th century); (add.info.: Vintage illustration of two Christmas angels praying among the clouds; chromolithograph)

Background imageInnocents Collection: Fairbridge Farm School, Australia - Church

Fairbridge Farm School, Australia - Church
Church of the Holy Innocents at the Fairbridge Farm School at Pinjarra, near Perth, Western Australia. Date: 1920s

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023244 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Madonna of the Misericordia, detail of the portal lunette (stone)

Madonna of the Misericordia, detail of the portal lunette (stone)
938032 Madonna of the Misericordia, detail of the portal lunette (stone) by Italian School, (16th century); Chiesa di Santa Maria della Misericordia, Galatina, Puglia; eGiuliano Valsecchi; Italian

Background imageInnocents Collection: The Wolf and the Lamb, from Fables by Jean de La Fontaine (1621-95

The Wolf and the Lamb, from Fables by Jean de La Fontaine (1621-95
PER207620 The Wolf and the Lamb, from Fables by Jean de La Fontaine (1621-95) (colour engraving) by Fraipont, Georges (1873-1912); Private Collection; French, out of copyright

Background imageInnocents Collection: Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse

Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse
472229 Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut) by Schaufelein

Background imageInnocents Collection: Bal donne par les dames de la Halle, le 17 aout 1850, au marche des Innocents (engraving)

Bal donne par les dames de la Halle, le 17 aout 1850, au marche des Innocents (engraving)
963133 Bal donne par les dames de la Halle, le 17 aout 1850, au marche des Innocents (engraving) by French School, (19th century); Private Collection; (add.info.: Bal donne par les dames de la Halle)

Background imageInnocents Collection: Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving)

Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving)
963146 Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving) by French School, (19th century); Private Collection; (add.info.: Le cimetiere des Innocents en 1640)

Background imageInnocents Collection: Anciens charniers des Lingeres, transformes en boutiques, rue des Innocents (engraving)

Anciens charniers des Lingeres, transformes en boutiques, rue des Innocents (engraving)
963145 Anciens charniers des Lingeres, transformes en boutiques, rue des Innocents (engraving) by French School, (19th century); Private Collection; (add.info.: Anciens charniers des Lingeres)

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023242 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023251 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Le Marche des Innocents (b / w photo)

Le Marche des Innocents (b / w photo)
3624028 Le Marche des Innocents (b/w photo) by French Photographer, (19th century) (after); Private Collection; (add.info.: Le Marche des Innocents)

Background imageInnocents Collection: The Man & The Snake, illustration from Aesops Fables, pub

The Man & The Snake, illustration from Aesops Fables, pub
2907426 The Man & The Snake, illustration from Aesops Fables, pub. 1887 (colour litho) by Crane, Walter (1845-1915); Private Collection; The Stapleton Collection; English, out of copyright

Background imageInnocents Collection: St Mary, Protectress of the Innocents (colour litho)

St Mary, Protectress of the Innocents (colour litho)
3102749 St Mary, Protectress of the Innocents (colour litho) by Mathauser, Joseph (1846-1917); Private Collection; (add.info.: St Mary, Protectress of the Innocents)

Background imageInnocents Collection: Cimetiere des Innocents, 1750 (colour litho)

Cimetiere des Innocents, 1750 (colour litho)
962775 Cimetiere des Innocents, 1750 (colour litho) by French School, (19th century); Private Collection; (add.info.: Cimetiere des Innocents, 1750)

Background imageInnocents Collection: Square des Innocents, 1878 (colour litho)

Square des Innocents, 1878 (colour litho)
962773 Square des Innocents, 1878 (colour litho) by French School, (19th century); Private Collection; (add.info.: Square des Innocents, 1878)

Background imageInnocents Collection: Cimetiere et charniers des Innocents en 1785 (engraving)

Cimetiere et charniers des Innocents en 1785 (engraving)
963136 Cimetiere et charniers des Innocents en 1785 (engraving) by French School, (19th century); Private Collection; (add.info.: Cimetiere et charniers des Innocents en 1785)

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023245 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023250 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Christmas at Little-Peopleton Manor (chromolitho)

Christmas at Little-Peopleton Manor (chromolitho)
1054416 Christmas at Little-Peopleton Manor (chromolitho) by Greenaway, Kate (1846-1901) (after); Private Collection; (add.info.: Christmas at Little-Peopleton Manor)

Background imageInnocents Collection: Cimetiere des Innocents, 1550 (colour litho)

Cimetiere des Innocents, 1550 (colour litho)
962776 Cimetiere des Innocents, 1550 (colour litho) by French School, (19th century); Private Collection; (add.info.: Cimetiere des Innocents, 1550)

Background imageInnocents Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023243 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocents Collection: Non-combatants taking shelter during the Siege of Vicksburg (litho)

Non-combatants taking shelter during the Siege of Vicksburg (litho)
STC306827 Non-combatants taking shelter during the Siege of Vicksburg (litho) by Pyle, Howard (1853-1911) (after); Private Collection; The Stapleton Collection; American, out of copyright

Background imageInnocents Collection: Marche des Innocents, 1855 (colour litho)

Marche des Innocents, 1855 (colour litho)
962774 Marche des Innocents, 1855 (colour litho) by French School, (19th century); Private Collection; (add.info.: Marche des Innocents, 1855)

Background imageInnocents Collection: Marche des Innocents, 1810, d apres un tableau du temps, de Tardieu (engraving)

Marche des Innocents, 1810, d apres un tableau du temps, de Tardieu (engraving)
963132 Marche des Innocents, 1810, d apres un tableau du temps, de Tardieu (engraving) by French School, (19th century); Private Collection; (add.info.: Marche des Innocents, 1810)



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"Innocents: A Journey through Art and History" Step into the realm of innocence, where stories unfold and emotions intertwine. From the infant Christ rewarding martyred innocents in Bethlehem to the haunting echoes of the Massacre of the Innocents at The Fair, this captivating journey will leave you spellbound. John Hassall's "Babes in the Wood" transports us to a world where children find solace amidst nature's embrace. Their innocent faces tell tales untold, inviting us to cherish their purity. "The Triumph of the Innocents, " engraved by Charles Robert Ashbee, captures a moment frozen in time. With delicate strokes, it immortalizes innocence triumphing over darkness, reminding us that hope can prevail even in times of despair. A sleeping child on canvas whispers dreams yet to be dreamt. In its peaceful slumber lies a reminder that innocence knows no bounds – an eternal symbol of serenity and vulnerability. The ceramic tondo adorning Florence's Hospital of the Innocents tells a tale etched with compassion. It stands as a testament to humanity's enduring commitment to protect those most fragile among us. Madonna Carrega gazes lovingly at her child carved from Carrara marble. This masterpiece radiates maternal love and tenderness while encapsulating the essence of pure innocence within its flawless contours. In stark contrast, "The Massacre of the Innocents" unveils a dark chapter in history when innocence was shattered by cruelty. Brushstrokes depict anguish and despair as we confront our capacity for both good and evil. Through "Schoolmates, " we witness childhood camaraderie painted with tempera on canvas – laughter echoing across generations as friendships blossom amidst youthful naivety. "A Woodland Scene with Children and Goats" invites us into an idyllic realm where joy dances hand-in-hand with curiosity. Nature becomes their playground as they revel in unadulterated bliss – an ode to the innocence of youth.