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Pillow : The Virgin and Child, c1496-9. Artist: Giovanni Battista Cima da Conegliano
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The Virgin and Child, c1496-9. Artist: Giovanni Battista Cima da Conegliano
The Virgin and Child, c1496-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]
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Media ID 14964458
© The Print Collector
Cima Da Conegliano Conegliano Giovanni Battista Giovanni Battista Cima Da Giovanni Battista Cima Da Conegliano Hillside National Gallery Outskirts Saint Mary St Mary Stella Maris Studio Publications Studio Volume 120 The Virgin Mary Veil Virgin Mother Mother Of God
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite painting "The Virgin and Child" by Giovanni Battista Cima da Conegliano. Created between 1496 and 1499, this masterpiece is housed in The National Gallery, London. The image depicts a serene hillside scene where a female figure, believed to be the Virgin Mary, tenderly holds a young boy who represents Jesus Christ. Their vibrant red garments add an element of richness to the composition. The religious undertones are evident as this artwork reflects Christian beliefs from the Renaissance period. The artist's attention to detail and use of color brings life to this fifteenth-century portrayal of the Madonna and Child. Published in 1941 by The Studio Ltd. , this print captures every nuance of Cima da Conegliano's original oil on wood painting. It transports viewers back in time, allowing them to appreciate the artistry that has endured for centuries. "The Virgin and Child" is not only a testament to Cima da Conegliano's talent but also serves as an important piece within art history. This particular print comes from The Studio Volume 122, part of a renowned publication known for its dedication to promoting fine arts. With its historical significance and timeless beauty, this print offers viewers an opportunity to connect with both spirituality and artistic excellence through one remarkable image.
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