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The Toilette of Esther (Esther Preparing to be Presented to King Ahasuerus), 1841
The Toilette of Esther (Esther Preparing to be Presented to King Ahasuerus), 1841. Found in the collection of Musee du Louvre, Paris
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Media ID 22175213
© Fine Art Images/Heritage Images
1841 Ahasuerus Ahasverus Book Of Esther Chasseriau Esther German Painting Good And Evil Jewish History Jewish People Judaism Musee Du Louvre Nude Painting Tanach Tanakh Theodore 1819 1856 Torah Tragic Ester Old Testament Queen Esther
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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The Toilette of Esther (Esther Preparing to be Presented to King Ahasuerus), 1841
EDITORS COMMENTS
is a captivating and thought-provoking painting that beautifully captures a significant moment from the biblical story of Queen Esther. Created by Theodore Chasseriau in 1841, this masterpiece can be found in the esteemed collection of Musee du Louvre in Paris. In this oil on canvas artwork, Chasseriau skillfully depicts Esther as she meticulously prepares herself before being presented to King Ahasuerus. The artist's attention to detail is evident in every brushstroke, showcasing his mastery of technique and his ability to convey emotion through art. The composition exudes an air of both elegance and vulnerability as Esther stands nude, symbolizing her purity and innocence. This portrayal highlights the dichotomy between good and evil, which is central to the narrative of Jewish history depicted in the Old Testament. Chasseriau's work reflects elements of Romanticism with its emphasis on dramatic lighting and emotional intensity. Through this painting, he invites viewers into a world where tragedy unfolds against a backdrop of power dynamics and political intrigue. "The Toilette of Esther (Esther Preparing to be Presented to King Ahasuerus), 1841" serves as a testament not only to Chasseriau's artistic prowess but also as a reminder of the enduring power that religious narratives hold over our collective imagination.
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