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Pillow : The sleeping congregation, 1762. Artist: William Hogarth
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The sleeping congregation, 1762. Artist: William Hogarth
The sleeping congregation, 1762.The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young woman. The preacher is John Theophilus Desaguiliers. This is the final state of the plate
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Media ID 15167106
© London Metropolitan Archives (City of London) / Heritage-Images
Asleep Boredom Clergyman Cleric Clerk Congregation Guildhall Library Art Gallery Hogarth Lustfulness Preacher Preaching Pulpit Sermon Sleep Sleeping W Hogarth William Hogarth William Hogarth Hogarth William W Hogarth
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "The Sleeping Congregation, 1762" by renowned artist William Hogarth, we are transported to a country church in the 18th century. The scene depicts a congregation deep in slumber, with only the clerk and the preacher, John Theophilus Desaguiliers, remaining awake. Hogarth's satirical genius shines through as he humorously captures the essence of boredom within religious gatherings. As our eyes wander across the engraving, we notice the clerk stealing glances at a young woman who has caught his attention. Lustfulness amidst solemnity adds an unexpected twist to this monochrome masterpiece. Through his intricate details and skilled craftsmanship, Hogarth invites us into this intimate moment of human desire. The pulpit becomes a stage for both spiritual guidance and unintended comedy as Desaguiliers delivers his sermon to an oblivious audience. This print not only serves as a critique on religious practices but also highlights the universal concept of sleepiness that transcends time and place. Now housed at Guildhall Library and Art Gallery, this final state plate showcases Hogarth's ability to blend satire with social commentary seamlessly. It reminds us that even within places of worship, humanity's imperfections persist.
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