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Pillow : Saint Mary Magdalene, with an Angel [left panel], probably 1340
![Saint Mary Magdalene, with an Angel [left panel], probably 1340](/image/731/20770109/20770109_600_600_83592_0_fill_0_37e990e45861c9e1188a27ceb694c949.jpg.webp "Saint Mary Magdalene, with an Angel [left panel], probably 1340")
![Saint Mary Magdalene, with an Angel [left panel], probably 1340](/p/731/saint-mary-magdalene-angel-left-panel-20770109.jpg.webp "Saint Mary Magdalene, with an Angel [left panel], probably 1340")
Home Decor from Heritage Images
Saint Mary Magdalene, with an Angel [left panel], probably 1340
Heritage Images features heritage image collections
Media ID 20770109
© Heritage Art/Heritage Images
Altarpiece Boxes Gold Leaf Mary Magdalen Mary Magdalene Ointment Box Old Master Pietro Lorenzetti Tempera On Panel Transferred To Canvas Tempera
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Pietro Lorenzetti's masterpiece, "Saint Mary Magdalene, with an Angel [left panel], probably 1340". Created in the 14th century, this Italian artwork is a testament to the profound influence of Christianity on heritage art. Housed in the National Gallery of Art in Washington, D. C. , it transports viewers back to a time when religious devotion was at its peak. The left panel depicts Saint Mary Magdalene accompanied by an angelic figure. The artist's meticulous use of tempera on panel transferred to canvas brings vibrant colors and intricate details to life. A golden halo encircles Mary Magdalene's head, symbolizing her sainthood and divinity. Mary Magdalene herself exudes grace and serenity as she holds a jar or ointment box—a poignant reference to her role as one of Jesus Christ's most devoted followers. This portrayal highlights her significance within the New Testament narrative. Lorenzetti masterfully captures the essence of fourteenth-century Italy through his skillful rendering of metal objects and gold leaf accents that adorn both figures' garments. The composition evokes a sense of reverence and spirituality while showcasing the artist's technical prowess. As we gaze upon this remarkable piece, we are reminded not only of its artistic merit but also its historical context—a window into an era where faith played a central role in people's lives. It serves as a testament to how art has long been intertwined with religion and continues to inspire
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