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Gold Leaf Gallery

Gold leaf is a thin sheet of gold that has been hammered into an extremely thin sheet, and is used for a variety of decorative and artistic purposes, such as gilding

Choose from 1,563 items in our Gold Leaf Collection for your Wall Art and Photo Gifts


Gold Leaf Gallery: Catalan Atlas, 14th century
Catalan Atlas, 14th century
Gold Leaf Gallery: St. Michaels gold-domed cathedral, Kiev, Ukraine, Europe
St. Michaels gold-domed cathedral, Kiev, Ukraine, Europe
Gold Leaf Gallery: The Kiss, 1907-08 (oil on canvas)
The Kiss, 1907-08 (oil on canvas)
Gold Leaf Gallery: Lotus 49 Gold Leaf, Graham Hill. 1968 Monaco Grand Prix
Lotus 49 Gold Leaf, Graham Hill. 1968 Monaco Grand Prix
Gold Leaf Gallery: Hydra constellations, 1829 C016 / 4412
Hydra constellations, 1829 C016 / 4412
Gold Leaf Gallery: Blessed Gerard of Villamagna and St Mary Magdalen with St Catherine of Alexandria
Blessed Gerard of Villamagna and St Mary Magdalen with St Catherine of Alexandria
Gold Leaf Gallery: Peonies and willows, Momoyama or Edo period, Early 17th century. Creator: Hasegawa Tonin
Peonies and willows, Momoyama or Edo period, Early 17th century. Creator: Hasegawa Tonin
Gold Leaf Gallery: Ursa Major constellation, 1829 C016 / 4387
Ursa Major constellation, 1829 C016 / 4387
Gold Leaf Gallery: St. Francis of Assisi church, UNESCO World Heritage Site, Old Goa, Goa, India, Asia
St. Francis of Assisi church, UNESCO World Heritage Site, Old Goa, Goa, India, Asia
Gold Leaf Gallery: Myanmars most famous Buddha image, 13ft high and covered in 6 inches of pure gold leaf
Myanmars most famous Buddha image, 13ft high and covered in 6 inches of pure gold leaf, Mahamuni Paya, Mandalay
Gold Leaf Gallery: A mounted man hunting birds with a falcon, early 18th century. Creator: Unknown
A mounted man hunting birds with a falcon, early 18th century. Creator: Unknown
Gold Leaf Gallery: The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of... c
The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of... c
Gold Leaf Gallery: The Death of Saint Clare, c. 1400 / 1410. Creator: Master of Heiligenkreuz
The Death of Saint Clare, c. 1400 / 1410. Creator: Master of Heiligenkreuz
Gold Leaf Gallery: The Coronation of the Virgin, c.1440 (tempera on panel) (central detail of 49984)
The Coronation of the Virgin, c.1440 (tempera on panel) (central detail of 49984)
Gold Leaf Gallery: Detail of the hand of a stucco seated Buddha statue
Detail of the hand of a stucco seated Buddha statue
Gold Leaf Gallery: Saint James Major, c. 1315 / 1320. Creator: Simone Martini
Saint James Major, c. 1315 / 1320. Creator: Simone Martini
Gold Leaf Gallery: The Nativity, ca. 1406-10. Creator: Lorenzo Monaco
The Nativity, ca. 1406-10. Creator: Lorenzo Monaco
Gold Leaf Gallery: Lotus 49 Gold Leaf, Jackie Oliver. 1968 Belgian Grand Prix
Lotus 49 Gold Leaf, Jackie Oliver. 1968 Belgian Grand Prix
Gold Leaf Gallery: Thailand. Buddha Statue hand with gold leaf tokens
Thailand. Buddha Statue hand with gold leaf tokens
Gold Leaf Gallery: The Annunciation, c.1432 (tempera on panel)
The Annunciation, c.1432 (tempera on panel)
Gold Leaf Gallery: The Annunciation, c.1432 (tempera on panel)
The Annunciation, c.1432 (tempera on panel)
Gold Leaf Gallery: Traditional Japanese Woodblock print of Actor
Traditional Japanese Woodblock print of Actor
Gold Leaf Gallery: Thailand, Samut Songkhram Province, Amphawa District. Buddha statue covered with gold
Thailand, Samut Songkhram Province, Amphawa District. Buddha statue covered with gold
Gold Leaf Gallery: The head of a Buddha statue nestled in the roots of a tree in the grounds of an Ayutthaya
The head of a Buddha statue nestled in the roots of a tree in the grounds of an Ayutthaya
Gold Leaf Gallery: Three-Panel Screen (reverse), c.1916-17 (oil and gold leaf on gessoed wood)
Three-Panel Screen (reverse), c.1916-17 (oil and gold leaf on gessoed wood)
Gold Leaf Gallery: St Ambrose or Golden altar, front with scenes from the life of Christ
St Ambrose or Golden altar, front with scenes from the life of Christ, embossed gold work by Vuolvino / Volvino
Gold Leaf Gallery: Three-Panel Screen, c.1916-17 (oil and gold leaf on gessoed wood)
Three-Panel Screen, c.1916-17 (oil and gold leaf on gessoed wood)
Gold Leaf Gallery: A Cardinal sitting in judgement upon a Bishop, accused by two laymen, c
A Cardinal sitting in judgement upon a Bishop, accused by two laymen, c.1380 (paint and gold leaf on vellum)
Gold Leaf Gallery: Historiated initial I depicting an angel musician playing a harp (vellum)
Historiated initial I depicting an angel musician playing a harp (vellum)
Gold Leaf Gallery: Historiated initial U depicting Joseph being pulled from the well by his brothers
Historiated initial U depicting Joseph being pulled from the well by his brothers, Tuscan School (vellum)
Gold Leaf Gallery: Ms 523 f.166r Historiated initial O with the Trinity, from a Missal, c.1446-60 (vellum)
Ms 523 f.166r Historiated initial O with the Trinity, from a Missal, c.1446-60 (vellum)
Gold Leaf Gallery: 1195878
1195878
Gold Leaf Gallery: Four men of different ages (verso) and illuminated manuscript with verses from '
Four men of different ages (verso) and illuminated manuscript with verses from '
Gold Leaf Gallery: Ducks (ink, color and gold leaf on paper)
Ducks (ink, color and gold leaf on paper)
Gold Leaf Gallery: The Goldbeater (engraving)
The Goldbeater (engraving)
Gold Leaf Gallery: Winged deity, c.1300 BC (bronze, gold)
Winged deity, c.1300 BC (bronze, gold)
Gold Leaf Gallery: Novella in Decretales: beginning of Book V, De accusationibus
Novella in Decretales: beginning of Book V, De accusationibus
Gold Leaf Gallery: God the Father with Angels, c.1330 (tempera on panel)
God the Father with Angels, c.1330 (tempera on panel)
Gold Leaf Gallery: Goldbeater (engraving)
Goldbeater (engraving)
Gold Leaf Gallery: The King of Coins, facsimile of a tarot card from the Visconti deck
The King of Coins, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The Ace of Coins, facsimile of a tarot card from the Visconti deck
The Ace of Coins, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The King of Wands, facsimile of a tarot card from the Visconti deck
The King of Wands, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The Knight of Wands, facsimile of a tarot card from the Visconti deck
The Knight of Wands, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The Seven of Wands, facsimile of a tarot card from the Visconti deck
The Seven of Wands, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The Ten of Cups, facsimile of a tarot card from the Visconti deck
The Ten of Cups, facsimile of a tarot card from the Visconti deck
Gold Leaf Gallery: The Nativity, (oil on panel)
The Nativity, (oil on panel)
Gold Leaf Gallery: Presentation of Christ in the Temple, 1400 (oil on panel)
Presentation of Christ in the Temple, 1400 (oil on panel)


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Gold leaf is a thin sheet of gold that has been hammered into an extremely thin sheet, and is used for a variety of decorative and artistic purposes, such as gilding, inlaying, and painting. Gold leaf has been used since ancient times to add beauty and value to objects. The process of making gold leaf involves hammering the gold into an incredibly thin sheet. This process can be done by hand or with machines that use pressure or heat to flatten the metal into a very thin layer. Once flattened, the gold is cut into small pieces which are then placed between two sheets of paper before being rolled out on a flat surface with a rolling pin or other tool. The result is an incredibly thin sheet of gold that can be used for various decorative applications. They are be applied to almost any surface including wood, stone, metal and even fabric using either water-based adhesive or oil-based adhesive depending on the application desired. When applying it by hand it must be handled carefully as it will tear easily if not handled properly due to its delicate nature. Once applied correctly though it will stay in place until removed with solvents such as alcohols or acetone which will dissolve the adhesive without damaging the underlying material or leaving any residue behind when removed correctly . Gold leaf has many uses ranging from ornamental gilding on furniture and buildings to creating intricate patterns in artwork such as illuminated manuscripts and paintings from centuries ago right up until today’s modern artworks where its reflective properties help create stunning visual effects when combined with other materials like glass beads and glitter for example . It also has practical uses too such as protecting surfaces from corrosion due to its non-reactive nature making it ideal for outdoor sculptures where weather conditions may cause damage over time . In conclusion ,An incredibly versatile material that has been used throughout history both artistically and practically in order to add beauty ,value ,and protection . Its delicate nature means that care must be taken when handling but once applied correctly it will remain securely in place until removed using solvents without damaging underlying materials .