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Plate 35: The Batavians Become Afraid and Begin Peace Talks
Plate 35: The Batavians Become Afraid and Begin Peace Talks, from The War of the Romans Against the Batavians, 1611
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Media ID 20380177
© Heritage Art/Heritage Images
Antonio Antonio Tempesta Batavi Batavian Rebellion First State Of Two Germanic Issue 1 Bartsch Latin Otto Van Otto Van Veen Revolt Of The Batavi Romans Tempesta Tempesta Antonio Veen Veen Otto Van Ancient Roman
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Caption: Plate 35: The Batavians Become Afraid and Begin Peace Talks - A Glimpse into the Roman-Batavian Conflict This black and white etching, titled "Plate 35: The Batavians Become Afraid and Begin Peace Talks" is a remarkable piece of art from the 17th century. Created by Italian artist Antonio Tempesta as part of his series "The War of the Romans Against the Batavians" in 1611, this print offers a glimpse into an ancient chapter of history. Depicting a pivotal moment during the revolt of the Batavi against their Roman oppressors, this artwork showcases a scene filled with tension and uncertainty. In the foreground, we see Dutch soldiers engaged in peace talks with Roman counterparts on a bridge over calm waters. The central figure, possibly representing Otto van Veen or another influential leader from that time period, stands tall amidst his fellow countrymen. Tempesta's intricate attention to detail brings life to every element within this composition. From majestic horses ridden by armored soldiers to architectural structures that symbolize power dynamics between two nations at war, each aspect contributes to conveying both historical accuracy and artistic brilliance. Housed in The Metropolitan Museum of Art (The Met), this etching serves as a testament to humanity's enduring fascination with past conflicts and our collective desire for peace. As viewers engage with this masterpiece today, they are transported back centuries ago when men grappled with fear while striving for resolution
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