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Pillow : Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton

Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton




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Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton

Pan playing his pipes, Wood engraving, London, 1862. Illustration by Lord Leighton (1830-96) for Elizabeth Barrett Brownings poem A Musical Instrument What is he doing, the great god Pan/Down in the reeds by the river?

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Media ID 14839219

© Ann Ronan Picture Library / Heritage-Images

1st Baron Leighton Of Stretton Baron Baron Frederic Baron Frederic Leighton Baron Leighton Baronaron Frederic Frederic Leighton Leighton Lord Frederic Leighton Lord Leight Piper Poem Reed Reeds Ann Ronan Pictures


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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > Frederic Leighton

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Music

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > Greece > Music


EDITORS COMMENTS
This print, created by Frederic Leighton in 1862, transports us to the enchanting world of Greek mythology. The wood engraving depicts Pan, the great god of nature and music, playing his pipes amidst a serene forest setting. With meticulous detail and skillful artistry, Leighton brings to life Elizabeth Barrett Browning's poem "A Musical Instrument" where she muses on Pan's activities down by the river. Pan stands tall among the reeds, his divine presence emanating from every stroke of the engraver's tool. His musical prowess is evident as he expertly plays his pipes, filling the air with melodious tunes that echo through the trees. The surrounding woodland seems to come alive in response to his enchanting melodies. Leighton's portrayal captures both Pan's mischievous charm and his sacred connection with nature. As we gaze upon this monochrome masterpiece, we are transported back to ancient Greece, where gods roamed freely and forests were filled with mythical creatures. The print serves as a testament to Leighton's artistic genius and deep understanding of classical mythology. It invites us into a realm where religion intertwines with literature and geography merges seamlessly with imagination. In this exquisite artwork, Frederic Leighton immortalizes Pan as not just a deity but also an embodiment of music itself—a reminder of humanity's eternal fascination with both divine inspiration and the natural world around us.

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