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Pillow : The Painter as Illustrator, 1932, (1946). Artist: Paul Nash
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The Painter as Illustrator, 1932, (1946). Artist: Paul Nash
The Painter as Illustrator, 1932, (1946). Hydriotaphia, Urn Burial, or, a Discourse of the Sepulchral Urns lately found in Norfolk, is a work by Thomas Browne (1605-1682), published in 1658 featuring The Painter as Illustrator by Paul Nash (1889-1946). From English Printed Books, by Francis Meynell. [Collins, London, 1946]
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Media ID 14969436
© The Print Collector
Abstract Browne Collins Francis Francis Meynell Illustrator Mausoleum Meynell Nash Norfolk Paul Printed Sepulchral Sepulchre Surreal Surrealism Vase William Collins Artistic Movement Paul Nash
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Painter as Illustrator, 1932" by renowned artist Paul Nash. Created in 1946, this surrealistic piece is part of a larger work called "Hydriotaphia, Urn Burial" written by Thomas Browne and published in 1658. The image captures the essence of Nash's artistic movement during the thirties and forties. Set against a grey wall in an English countryside location, the print features a mesmerizing blend of colors. A prominent pink rose emerges from an abstract vase, symbolizing life amidst death. The concept of burial and tomb is subtly conveyed through the presence of urns surrounding the painter. Nash's lithograph portrait exudes creativity and passion for his profession. His unique style combines elements of literature with visual artistry, making him a true illustrator at heart. This particular artwork was included in Francis Meynell's book "English Printed Books" published by Collins in London in 1946. "The Painter as Illustrator" transports viewers to another time and place - a reflection on life's transient nature while celebrating artistic expression. It serves as a reminder that even within somber themes like death and sepulchral symbolism, beauty can be found. This print from Heritage Images allows us to appreciate Paul Nash's contribution to the artistic landscape of the twentieth century while honoring his collaboration with literary figures such as Thomas Browne.
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